Art of the XX–XXI centuries

Art criticism articles about the work of contemporary artists, art associations, trends in art are grouped under the heading “Art of the XX–XXI centuries”.

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Victoria V. Demenova, Anastasia M. Shishmintseva
268–285
The heritage of Tibetan and Buryat Buddhist painting in the oeuvre of contemporary thangka artist Alex Kocharov
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Mikhail Yu. Shishin, Natalya S. Tsareva
284–299
Cuban artworks series by Olga Yausheva
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Elena V. Bobrova
200–217
Regional exhibition-competition of young Omsk artists: curator's view
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Victoria A. Borunova
218–241
Reconstruction of the creative method of G.F. Borunov on the example of paintings “Chairman. Kolkhoz Autumn”, “Red Tractor”, “Ivan Polzunov”
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Byambajav Sarantuya, Evgeniy V. Yaylenko
242–265
Images of Mongolia in Soviet painting of the second half of the 20th century (based on the collection of the National Gallery of Art, Ulaanbaatar)
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Anastasia S. Sirenko
266–283
N.S. Barsamov and his followers — Crimean artists of the 20th century
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Elena A. Mushnikova
212–225
Cuba in the work of artist Vladimir I. Pereyaslavets (1918–2018)
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Lyudmila A. Toma
226–243
The breath of life in the paintings of Rosa Gamburskaya
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Sophia M. Belokurova
180–193
Mongolian sculptor Tsevegmid Amgalan and the monument dedicated to the victory in the battle on the Khalkhin Gol river
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Svetlana M. Gracheva, Ivan B. Zhuravlev
194–211
International art plein air “Solar Palette of the East” (2024) in the Naryn region of Kyrgyzstan
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Jiaqi Liu
142–161
The phenomenon of “rustic realism” in the work of the painters of the Southwest China
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Vasilisa V. Sharifullina
204–221
Unofficial art of Kostroma in the second half of the 1950s–1970s: features of existence and artistic orientations
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Erdenetsogt Bathuleg
112–129
From the place of action to the space of meaning: Ch. Gungaasukh’s work and his role in the development of scenography art in Mongolia in the last third of the 20th century
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Sergey S. Nazin
162–175
The Kasli factory at the first specialized exhibition of artistic iron casting in the USSR in Moscow and its activities in the pre-war period (1940‒1941)
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Meng Yin
130–141
Illustrations to Chinese fairy tales in the works of Georgiy, Alexander and Valery Traugot
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Dorjsurengiin Uranchimeg, Evgeniy V. Yaylenko
188–203
The artistic tradition of Russian Academism in Mongolian contemporary art (a study of the historical paintings by Mongolian artist B. Otgontuvden)
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Olga Vadimovna Nefedova
176–187
Iraqi artists-muralists, graduates of the USSR universities: graduation works as a synthesis of national and individual
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Elena O. Romanova
232-253
The graphic heritage of Julia Reitlinger (Sister Joanna)
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Andrey V. Kovalev
218-231
Grigory Likman (1904–1991): Slavgorod series of graphic portraits
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Xiong Peihan
254-267
“Farmer's Hope”: exhibition of Chinese artist Wang Shenglie in Shenyang
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Tatiana V. Ikkert
236-245
The artistic work of M.N. Rudnev in relation to the influence of his teacher A.P. Levitin
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Tianquan Liu
246-261
Wu Guanzhong: the path of becoming a master
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Byambajav Sarantuya
176-191
The world of graphics by Dagdangijn Amgalan
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Sophia M. Belokurova
220-235
The «blooming» world of Zurab Tsereteli: features of creating an image
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Keren Sheng
262-279
Watercolour in the Saint Petersburg academic school for children's book graphics of 1980–1990s: from the funds of the Ilya Repin Institute
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