Art of the XX–XXI centuries

161 Items

Art criticism articles about the work of contemporary artists, art associations, trends in art are grouped under the heading “Art of the XX–XXI centuries”.

All Items

Keren Sheng
Watercolour in the Saint Petersburg academic school for children's book graphics of 1980–1990s: from the funds of the Ilya Repin Institute
262-279
https://doi.org/10.46748/ARTEURAS.2023.04.017
Tatiana V. Ikkert
The artistic work of M.N. Rudnev in relation to the influence of his teacher A.P. Levitin
236-245
https://doi.org/10.46748/ARTEURAS.2023.04.015
Sophia M. Belokurova
The «blooming» world of Zurab Tsereteli: features of creating an image
220-235
https://doi.org/10.46748/ARTEURAS.2023.04.014
Dorjsuren Uranchimeg, Evgeniy V. Yaylenko
The art of Dagdangijn Amgalan: features of stylistic development and artistic content
192-205
https://doi.org/10.46748/ARTEURAS.2023.04.012
Byambajav Sarantuya
The world of graphics by Dagdangijn Amgalan
176-191
https://doi.org/10.46748/ARTEURAS.2023.04.011
Olga A. Yushkova
Simple things and metaphysical still life in Moscow art of the 1960s and 1970s
280-295
https://doi.org/10.46748/ARTEURAS.2023.04.018
Alexandra S. Viziryaka
On the attribution of the engraved “Portrait of D.A. Rovinsky” by V.E. Makovsky: the mystery of the image in the margins of the print
120-127
https://doi.org/10.46748/ARTEURAS.2023.03.009
Svetlana M. Gracheva
Creative and exhibition activities of the International Association of Artists — Descendants of Noble Families in Saint Petersburg
128-151
https://doi.org/10.46748/ARTEURAS.2023.03.010
Vladimir F. Chirkov
Georgy Kichigin: “issues of human” and the portrait genre in contemporary art
166-193
https://doi.org/10.46748/ARTEURAS.2023.03.012
Vasilisa A. Sharifullina
Peculiar properties of the artistic strategy of A.G. Sharifullin in the author's jewelry art
194-203
https://doi.org/10.46748/ARTEURAS.2023.03.013
Bogdan Khilko
Features of the artistic language of E.G. Mikhnov-Voitenko in the 1950s–1960s
152-165
https://doi.org/10.46748/ARTEURAS.2023.03.011
Bogdan V. Khilko, Vasilisa A. Sharifullina
Peculiar properties of the artistic strategy of the Saint Petersburg artist Vic (V.Yu. Zabelin)
224-241
https://doi.org/10.46748/ARTEURAS.2023.02.007
Anna V. Khairulina
The inspirer of the Shikotan group of artists O.N. Loshakov
210-223
https://doi.org/10.46748/ARTEURAS.2023.02.006
Tyantsyuan Lyu
Animalistic theme in the work of China artist Lo Zhongli
158-171
https://doi.org/10.46748/ARTEURAS.2023.02.003
Zhihai Zhang
Oil painting master class by А. A. Mylnikov in China in 1956
242-251
https://doi.org/10.46748/ARTEURAS.2023.02.010
Lyudmila A. Toma
Less-known works by Yakov Averbukh
190-209
https://doi.org/10.46748/ARTEURAS.2023.02.005
Elena O. Romanova
Russian émigré artist Evgeny Klimov as an heir to the Russian realistic portrait tradition
172-189
https://doi.org/10.46748/ARTEURAS.2023.02.004
Anton S. Ainutdinov
Sverdlovsk Union of Soviet Artists in 1934–1935
120-133
https://doi.org/10.46748/ARTEURAS.2023.01.010
Alevtina V. Gorkina
Images of Italy in the landscapes of Leningrad school of painting in the second half of the 20th century
152-161
https://doi.org/10.46748/ARTEURAS.2023.01.012
Vladimir F. Chirkov
The place of socialist realism in the history of twentieth-century art
186-223
https://doi.org/10.46748/ARTEURAS.2023.01.015
Liliya R. Stroy
The activity of the painter D.I. Karatanov in the development of art education in Krasnoyarsk and creative processes in Siberia
174-185
https://doi.org/10.46748/ARTEURAS.2023.01.014
Sophia M. Belokurova
The correlation between the artistic form and the image in still lifes of the graphic artist Valentin Teplov
134-151
https://doi.org/10.46748/ARTEURAS.2023.01.011
Yulia I. Gutareva
Landscape in the works of the Ussuriysk painter Alexander Tkachenko: continuity and originality of artistic traditions
162-173
https://doi.org/10.46748/ARTEURAS.2023.01.013
Anton S. Ainutdinov
Sverdlovsk Union of Soviet Artists after the war
14-29
https://doi.org/10.46748/ARTEURAS.2022.03.001
Huang Yuanpeng, Qin Tingting
The Yellow River in modern Chinese painting: artistic image and means of its expression
26-35
https://doi.org/10.46748/ARTEURAS.2022.02.002