Forum

Forum

342 Items

The “Forum” heading contains research on a topic previously proposed by the editorial of the journal. The list of topics is posted at the beginning of the calendar year on the journal website.

All Items

Tatyana L. Astrakhantseva
56–69
Mythological line in modern sculpture
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Vladimir F. Chirkov, Olga M. Galygina
210–239
Mythological content of works of “Siberian neoarchaic”: on the study of this the artistic direction
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Tatiana A. Boronoeva
84–107
Boundaries of human consciousness in the myth-making of Zorikto Dorzhiev
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Olga A. Yushkova
252–267
Biblical subjects in the works of Lev Tabenkin
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Mikhail V. Ermola
122–137
From thirty porcelain shards: the history of attribution of a vase from the collection of the Omsk Regional Museum of Fine Arts named after M. A. Vrubel
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Vladimir F. Chirkov
182–199
“Farewell of Slavianka” by N.M. Bryukhanov: on the history of the creation, existence, and study of the painting
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Irina G. Devyatyarova
92–105
Painting by Russian artists from the collection of Petrograd collector Alexander Korovin in the Omsk Regional Museum of Fine Arts named after M.A. Vrubel
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Farida M. Bureeva
66–75
Two from the same sheet: attribution of male etched portraits of the first third of the 18th century from the collection of the Omsk Regional Museum of Fine Arts named after M.A. Vrubel
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Elena M. Reutova
168–181
On the experience of attribution of Western European paintings of the 18th and 19th centuries from the Omsk Regional Museum of Fine Arts named after M.A. Vrubel
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Victoria P. Efimenko, Ekaterina V. Gordeeva, Vitaly V. Semikin, Irina V. Konova, Ekaterina R. Chernova
138–151
The attribution of paintings by K.A. Korovin as an example of museums research cooperation
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Natalia V. Muratova
152–167
Portraits by N.Y. Tretyakov in the 1950s – 1980s from the graphic collection of the Omsk Regional Museum of Fine Arts named after M.A. Vrubel
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Sergey S. Dukhanov, Svetlana V. Izotenko
106–121
Fundamentals of Architecture in Omsk Khudprom: study of works on the organisation of space
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Igor A. Glazov
76–91
Mantel clock from the collection of the Omsk Regional Museum of Fine Arts named after M.A. Vrubel: problems of study and attribution
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Lyudmila K. Bogomolova
46–65
The beginning of the creative path of Omsk futurist Viktor Ufimtsev: on the problem of studying early works from Omsk collections
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Elena S. Nitkuk
120–133
“Fish Island in the Far Sea”: an exhibition of works by artists and craftsmen of the indigenous peoples of Sakhalin
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Alvina P. Suleimanova, Nina S. Zavadskaya
142–165
Sakhalin avant-garde of the 21st century
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Elena A. Ikonnikova
80–95
Sakhalin artist Givi Mantkava in the space of literature
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Alexander A. Vasilevski
24–33
Mythological plot of the creation of the world on ancient ceramics from Iturup Island
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Liudmila I. Missonova
96–119
The Anthropology of art: the mysteries of the artifacts of the Sakhalin and the Kuril Islands cultures
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Margarita G. Shamanova
166–179
Figurative and stylistic analysis of Givi Mantkava's work “The Nivkhi Archers” (1974) from the collection of the Sakhalin Regional Art Museum
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Anastasia A. Stepanenko, Olga V. Kuzmina
134–141
Atrworks by Yakov Weber in the collection of the Literary and Art Museum of Anton Chekhov's the Sakhalin Island Book
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Yulia I. Din
58–79
Fine arts of the Sakhalin Koreans in a cultural and historical context
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Maria Yu. Gorbunova
34–57
Painting and graphics in the collections of the Literary and Art Museum of Anton Chekhov's the Sakhalin Island Book
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Praskovya I. Morozova
62–71
Regional features in unique French Gothic monuments of the 16–17th centuries
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Elena V. Matveeva
36–53
Stylistic and iconographic features and evolution of the Luccan school of painting through the example of painted crosses made by the Berlinghieri's workshop
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