Forum

Forum

354 Items

The “Forum” heading contains research on a topic previously proposed by the editorial of the journal. The list of topics is posted at the beginning of the calendar year on the journal website.

All Items

Sophia M. Belokurova, Mikhail Yu. Shishin
54-73
The Great Patriotic War in contemporary art of Siberia
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Anna Yu. Pomnikova
156-171
Despite the siege: cultural and historical memory in photographs by Sergey Gasilov
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Alexander V. Fedotov, Yulia S. Manyakina
172-185
Theme of the Great Patriotic War in the fine arts of the 1950s–2000s from the collection of the Altai State Art Museum
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Elena O. Romanova
204-217
Maria Fedorova's original stage costume in inseparable ties of tradition and modernity
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Tatiana A. Boronoeva
84–107
Boundaries of human consciousness in the myth-making of Zorikto Dorzhiev
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Olga A. Yushkova
252–267
Biblical subjects in the works of Lev Tabenkin
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Victor G. Arslanov
46–55
Ancient and modern mythology in art and art theory
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Nadezda A. Tabunova
178–195
From antiquity to modernity: a neomythological perspective in contemporary art
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Nadezhda V. Sukhorukova
160–177
Female archetypes in the works of Galina Wiesel
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Yixin Zhang, Anna V. Chernova
196–209
Lianhuanhua “Journey to the West”: landmark works in the history of Chinese graphic novels
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Elizaveta O. Kuzina
120–135
The archetype of the motherland in contemporary Indian art
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Igor V. Glazov
108–119
New mythical imagination: the revival archetypes in the work of D.D. Kaminker
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Ekaterina V. Lebedeva
136–159
The image of the world in Altai graphics: ethnoarchaism in contemporary art
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Aitalina A. Borisova
70–83
The artistic space in the graphic works of the Yukaghir artist N.N. Kurilov
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Daria P. Chuprikova
240–251
Receptions of antiquity in the works of modern Saint Petersburg sculptors
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Tatyana L. Astrakhantseva
56–69
Mythological line in modern sculpture
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Vladimir F. Chirkov, Olga M. Galygina
210–239
Mythological content of works of “Siberian neoarchaic”: on the study of this the artistic direction
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Lyudmila K. Bogomolova
46–65
The beginning of the creative path of Omsk futurist Viktor Ufimtsev: on the problem of studying early works from Omsk collections
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Mikhail V. Ermola
122–137
From thirty porcelain shards: the history of attribution of a vase from the collection of the Omsk Regional Museum of Fine Arts named after M. A. Vrubel
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Vladimir F. Chirkov
182–199
“Farewell of Slavianka” by N.M. Bryukhanov: on the history of the creation, existence, and study of the painting
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Irina G. Devyatyarova
92–105
Painting by Russian artists from the collection of Petrograd collector Alexander Korovin in the Omsk Regional Museum of Fine Arts named after M.A. Vrubel
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Farida M. Bureeva
66–75
Two from the same sheet: attribution of male etched portraits of the first third of the 18th century from the collection of the Omsk Regional Museum of Fine Arts named after M.A. Vrubel
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Elena M. Reutova
168–181
On the experience of attribution of Western European paintings of the 18th and 19th centuries from the Omsk Regional Museum of Fine Arts named after M.A. Vrubel
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Victoria P. Efimenko, Ekaterina V. Gordeeva, Vitaly V. Semikin, Irina V. Konova, Ekaterina R. Chernova
138–151
The attribution of paintings by K.A. Korovin as an example of museums research cooperation
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Natalia V. Muratova
152–167
Portraits by N.Y. Tretyakov in the 1950s – 1980s from the graphic collection of the Omsk Regional Museum of Fine Arts named after M.A. Vrubel
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