Eurasian Heritage

Eurasian Heritage

90 Items

The heading “Eurasian Heritage” is devoted to the origins – the archaic art of Eurasia, as well as arts and crafts and folk art. The focus of research is on images, motives, values reflected in the artworks of different eras and cultures and united by the Eurasian worldview.

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Galina G. Nechaeva
14–47
“Archangel Michael the Voivode”: distinctive features of the Vetka iconography
PDF (Русский) JATS XML (Русский)
Aylana A. Chap
48–67
The creative legacy of Dongak Okaanchyk: on the 130th anniversary of the master
PDF (Русский) JATS XML (Русский)
Kasya Popova
38–53
Journey from the Urals to Siberia: dating and attribution of the Skete-Abalak icon of the Mother of God of the Sign by Sister Angelina
PDF (Русский) JATS XML (Русский)
Aylana Alekseevna Chap
66–77
Folklore heroes in the works of Tuvan stone carvers
PDF (Русский) JATS XML (Русский)
Tatiana Anatolievna Boronoeva, Aryuna Zhamsuevna Gomboeva
14–37
Visual Geseriad in the collection of the National Museum of the Republic of Buryatia: genesis and dynamics of artistic imagery in the 1940s–2020s
PDF (Русский) JATS XML (Русский)
Ekaterina Viktorovna Chagina
54–65
Artistic metalwork of the Transfiguration Church of the Aleksandrovsky Plant in Perm Governorate
PDF (Русский) JATS XML (Русский)
Delgr V. Sangadzhieva
30–51
Kalmyk folk art in the works of set designer Vladimir Khantashov
HTML (Русский) PDF (Русский) JATS XML (Русский)
Alla A. Usanova, Sergey M. Budkeev
52–67
Images of the Virgin Mary from the gallery of the Basilica of the Annunciation in Nazareth
HTML (Русский) PDF (Русский) JATS XML (Русский)
Kasya Popova
14–29
Icon and Legend: the Abalak Mother of God with miracles in the marginalia is a unique monument of the Nevyansk School of icon painting
HTML (Русский) PDF (Русский) JATS XML (Русский)
Alina V. Simonova
76-87
Artistic features of Goryeo Dynasty mirrors with bodhisattvas images (918–1392)
HTML (Русский) PDF (Русский) JATS XML (Русский)
Elena V. Borshсh
44-55
The question of the British origin of the Ural copper tableware models of the second half of the 18th–19th centuries
HTML (Русский) PDF (Русский) JATS XML (Русский)
Arseny A. Shevlyagin, Alena I. Inozemtseva
88-99
Bronze group “Bacchante at the Herma” from the collection of the Peterhof State Museum-Reserve: iconography, existence, restoration
HTML (Русский) PDF (Русский) JATS XML (Русский)
Sergey S. Nazin
56-75
Problems with establishing the authorship of Karl Friedrich Schinkel in artistic iron casting
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Svetlana G. Batyreva
14-43
Mythological consciousness and its metamorphoses in the fine arts of Kalmykia in the second half of the 20th century
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Bao Gereltuu, Dondov Ulzijbayar
12-21
Golden Horde toreutics
HTML (Русский) PDF (Русский) JATS XML (Русский)
Elena N. Kolomnikova
22-33
Features in the image of the clothes of Saint Nicholas the Wonderworker in the iconography of the West Siberian region: on the research of museum collections
HTML (Русский) PDF (Русский) JATS XML (Русский)
Galina G. Nechaeva
34-53
Spatial icon in the culture of Vetka: Our Lady of Kazan
HTML (Русский) PDF (Русский) JATS XML (Русский)
Xian Wang, Maria Viktorovna Voronova
30–45
The symbolism of images of lions in residential carving art in Huizhou region
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Bao Gereltuu, Dondov Ulzijbayar
14–29
Decorations and accessories of women’s costume of Mongolian nomads (by example of crafts items from the collection of the National Museum of Mongolia, Ulaanbaatar)
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Alexey V. Ponomarev
34–45
Composition and stylistic features of modern temple mosaics
html (Русский) pdf (Русский) JATS xml (Русский)
Galina G. Nechaeva
14–33
Embossed icon covers of Vietka: space and time
HTML (Русский) pdf (Русский) JATS XML (Русский)
Ivan N. Suloev
14–23
Creative work of Kostroma icon painters in the second third of the 17th century
html (Русский) pdf (Русский) JATS xml (Русский)
Lutin Hastuya, Dorjsurengiin Uranchimeg
34-49
The influence of philosophical movements and artistic traditions of China on the fine arts of the Khitan Liao Empire
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Suresh Chaudhary, Pankaj Gupta
50-67
Bangdwari: the living tradition of Kangra
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Galmandakh Amarsanaa
14-25
Basics of artistic image in rock paintings (using the example of the petroglyphs Baga Oigur and Tsagaan Salaa)
HTML (Русский) PDF (Русский) JATS XML (Русский)