Forum

Forum

354 Items

The “Forum” heading contains research on a topic previously proposed by the editorial of the journal. The list of topics is posted at the beginning of the calendar year on the journal website.

All Items

Irina A. Kolobkova
182–205
The Yamburg (Stremlensky) pottery craft
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Natalia I. Kovaleva, Marina A. Sorokina
140–161
The exhibition project “Russian Tradition”: a new stage in the study of the artistic and spiritual traditions of the Russian people
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Marina A. Sorokina
272–287
Contemporary Russian lace
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Fatima Yu. Kanokova, Aminat A. Kabardova
102–123
In the river of time: a conceptual rethinking of the Adyghe women’s costume in the work of Madina Saral’p
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Olesya S. Radko
244–259
The contemporary art of Kubachi
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Yury A. Zakunov
82–101
Spiritual and philosophical foundations of Russian traditional handicrafts and the problems of cultural inheritance
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Natalia E. Konovalova
206–227
Hand-painted porcelain from provincial factories of Russia of the 1950s–1980s: the search for folk origins and Russian traditions
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Natalia I. Kovaleva, Marina A. Sorokina, Marina A. Mishina
162–181
A doll in a traditional costume: history and modernity
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Andrey V. Troschinskiy
288–299
Images of folk paintings in theatrical sketches by students of the Imperial Stroganov School of 1910s
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Natalia I. Kovaleva
124–139
The folk craft “Krestetskaya stitch”: preserving traditions
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Tatiana A. Sivova
260–271
The evolution of the Gzhel craft in the work of leading artists: from classical traditions to modernity
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Tatyana V. Vildanova
70–81
On the experience of understanding Russian folk art as a spiritual phenomenon in domestic humanitarian studies
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Yuliya V. Kravtsova
228–243
The phenomenon of ornamentalism in the work of M.M. Nosov as a transition stage from folklore canon to professional art of Yakutia
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Xian Wang, Maria V. Voronova
104–123
Restoration of architectural buildings in the Huizhou area: the practice of restoring the Shu Guoan House
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Sarangerel Tsolmon
188–199
Buddhist sculptures in the Tan Yao Five Caves: iconographic typology and artistic significance
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Xudong Bai
84–91
Feitian as an element of the upper register in Mogao Caves 220 and 103: On the visual order of Tang cave ensembles
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Ekaterina A. Vostrikova
124–143
Ideology and creativity: The artistic trajectory of Chŏng Yŏngman within the DPRK visual culture in the second half of the 20th century
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Daichingiyn Borgel, Dorjsurengiin Uranchimeg
92–103
Monastery of Amarbayasghalant: Principles of architectural-spatial organization and stylistic features
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Ksenia G. Badanina
68–83
Interpretation of Japanese tradition in the contemporary art practices of Tatiana Badanina and Vladimir Nasedkin
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Jia Hou, Dorjsurengiin Uranchimeg
174–187
The calligraphic art of Chu Suiliang: issues of genesis and features of artistic style
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Yusin Li, Dorjsurengiin Uranchimeg
144–157
Decorative and applied art of the Tang Empire (on the example of metallic tableware): techniques of manufacturing, style, ornamental decoration
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Irina G. Malkova, Olga V. Lysenko
158–173
Mountains and trees in the “Album of Taiga’s Drawings” from the collection of the Sakhalin Art Museum
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Elena Evgenievna Agratina
78–95
С.-J. Vernet was a leading figure of the French school of marine painting in the 18th century
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Tamara Gennadyevna Chudinovskaya, Maria Alexandrovna Gurenovich
204–233
The artist Jan Ciaglinski and his students: towards understanding an innovative pedagogical system
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Ivan Nikolaevich Suloev
180–191
The development of Kostroma icon painting from the first third of the 17th century to 1682
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