Eurasian Heritage

The heading “Eurasian Heritage” is devoted to the origins – the archaic art of Eurasia, as well as arts and crafts and folk art. The focus of research is on images, motives, values reflected in the artworks of different eras and cultures and united by the Eurasian worldview.

All Items

Svetlana Garrievna Batyreva
8-15
Аrtistic processing of felt in the traditional life of Kalmyks
PDF (Русский)
Sophia Mikhailovna Belokurova
8-13
Paleochoreographic approach to interpretation of petroglyphic compositions (in case of images with “mushroom-like” hats in Mongolian and Russian Altai)
PDF (Русский)
Damdini Gantulga
14-20
Artistic expressiveness of deer stones
PDF (Русский)
Om Chand Handa
21-38
Primitive art of Himalaya
PDF (Русский)
Mikhail Yuryevich Shishin
55-63
Lokesh Chandra and His Contribution to Study of Buddhist Iconography
PDF (Русский)
Om Chand Handa
8-44
An introduction to Buddhist iconography
PDF PDF (Русский)
Svetlana Garrievna Batyreva
45-54
The cult of Nature in the iconography of Buddhism: Oirat-Kalmyk Parallels
PDF (Русский)
Sendenzhavyn Dulam
17-27
Cultural patterns of a "dancing man" in petroglyph complex Rashaan-Khad
PDF (Русский)
Bikumar Umirbyek
28-44
Types of Stamps on the Territory of Bayan-Ulgii Province of Mongolia
PDF (Русский)
Sophia Mikhailovna Belokurova
10-16
Brands in nomadic culture as an object of art analysis
PDF (Русский)
Natalya Sergeevna Myshkina
10-19
History and the history of Gandan monastery studying
PDF (Русский)
Mikhail Yuryevich Shishin
20-28
Zanabazar – spiritual top of Mongolia
PDF (Русский)
Om Chand Handa
25-48
Pahari miniature schools
PDF (Русский) PDF
Sophia Mikhailovna Belokurova
49-56
Using the Teachings of Arga bilig in the Comparative Analysis of the Mongolian Buddhist Iconography
PDF (Русский)
Mikhail Yuryevich Shishin
10-24
New Petroglyps in the Rashaan-Had Complex in Mongolia
PDF (Русский)