Cultural patterns of a "dancing man" in petroglyph complex Rashaan-Khad
No. 2 (3) (2016), Eurasian Heritage
No. 2 (3) (2016)

Cultural patterns of a "dancing man" in petroglyph complex Rashaan-Khad

Eurasian Heritage
УДК75 DOI: https://doi.org/10.25712/ASTU.2518-7767.2016.02.002
Published 2016-10-12
Sendenzhavyn Dulam
Mongolian State University of Culture and Arts

eLibrary ID org@eurasia-art.ru

Abstract

The article is devoted to the semantic analysis of one of the images of the petroglyphic complex Rashaan-Had (Mongolia) – the image of a dancing person. With the help of the author's technique, the image itself, the accompanying images forming the composition, are examined in detail. As a result, the original interpretation of the image as an ancestor, first ignited the fire, is given.

https://doi.org/10.25712/ASTU.2518-7767.2016.02.002

Acknowledgments

Scientific translation from the Mongolian language: S.M. Belokurova with the support of the grant from Russian Humanitarian Scientific Foundation and Ministry of Education and Science of Mongolia № 15-24-03002 «The fine arts of Siberia and Mongolia of the XX – early XXI centuries: cross-cultural interaction and the influence of artistic traditions»

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