Art of the XX–XXI centuries

Art of the XX–XXI centuries

157 Items

Art criticism articles about the work of contemporary artists, art associations, trends in art are grouped under the heading “Art of the XX–XXI centuries”.

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Yana Yu. Lisitsina
230–241
Transformation of artistic activity in the USSR in 1933 (based on materials from Leningrad and Irkutsk)
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Elena E. Bataeva, Vadim A. Lyubetsky
200–215
On the establishment of the Section of Polygraphic Arts at the Russian Academy of Artistic Sciences: prerequisites, objectives, key figures
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Alexander O. Kotlomanov
216–229
The Leningrad “school” of lithography: an exhibition of Soviet graphics in London (1961) in the context of time and in historical perspective
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Polina V. Yaroshevich
260–285
“We are from the Russian family…”: conceptualising the notion of ‘Russianness’ in the contemporary historical painting of Grigoriy Gukasov
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Evgeniya V. Orlova
242–259
Mythical geography: On artistic actionism in Germany in the 1960s–1980s
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Elena Vasilyevna Kopersak
274–295
Exploring the origins of Russian patriotism: chronicles and epics in Sergei Timokhov's graphic art
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Elena Olegovna Romanova
296–313
The formation of Evgeny Klimov’s creative method: based on the artist’s personal diaries (1921–1932)
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Elena Zurabovna Eremova
258–273
Classical traditions of the Imperial Porcelain Factory in the works of Tatiana Afanasyeva
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Jingzhu Xu, Ekaterina Alexandrovna Lavrentieva
314–327
Distinctive features of the language of the photo avant-garde: the question of extending the boundaries of this concept
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Galina A. Shaposhnikova-Murashova
240–253
Philosophical and art critical analysis of Akseli Gallen-Kallela's painting “Lemminkäinen's Mother”
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Aleksandra S. Kniazeva, Ludmila A. Budrina
228–239
Chinese and European jewelry traditions in in Bulgari’s artistic practices: the jade factor
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Natalia M. Goncharenko
240-281
From Pushkin to Dostoevsky: graphics of Soviet illustrators of Russian classic literature in the collections of Belgorod museums
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Daniil A. Avdoshin
214-231
The image of the human as a central component of Vasily Chekrygin’s creative and theoretical system
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Alla A. Selyutina
306-323
Graphics by Zinaida Serebryakova and Elizaveta Kruglikova in the collection of the Belgorod State Art Museum
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Anton S. Ainutdinov
232-239
Sketches of artistic decorations of Ekaterinburg for November 7, 1923, executed by the artist Leonid Eltyshev
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Kasya Popova
292-305
Last name and two letters: about the life and work of the sculptor-decorator David Weinberg
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Elena A. Mushnikova
282-291
Works by Maria Pereyaslavets dedicated to Cuba
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Maria V. Makarova
186-203
The cycle of works by H.V. Savkuev based on the novellas of L.N. Tolstoy “The Cossacks” and “Hadji Murat”: artistic features and interpretation
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Lyudmila A. Toma
228-257
The multifaceted oeuvre of Vladimir Cantor
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Dorjsurengiin Uranchimeg, Evgeniy V. Yaylenko
258-275
Artworks by Danzabaljir Enkhtaivan and artistic strategies of modern Mongolian art
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Vladimir F. Chirkov
276-287
Collecting in Siberia: a historical perspective
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Marina V. Serbina, Sergey M. Budkeev
218-227
Architectural images of Orthodox churches in Pavlodar in the 21st century
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Byambajav Sarantuya, Dorjsurengiin Uranchimeg
302–325
The image of Mongolia in modern Russian art of the last third of the 20th – early 21st century
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Liliya I. Ovchinnikova
286–301
Kazimierz Zeleniewski: Swiss years in the context of creativity
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Chanyuan Zhang
326–335
Founder of the Egyptian surrealism: Ramses Younan
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