No. 3 (38) (2025)

Issue No. 3 (38) of “The Art of Eurasia” journal focuses on the fine arts of China, including both traditional practices and contemporary developments. The central thematic section, “Forum,” features articles that cover a wide range of topics in Chinese art scholarship. These include reflections on theoretical concepts, as well as an analysis of how Chinese artists have influenced Russian masters. The section also delves into the impact of Jiang Zhaohe's work and pedagogical legacy on the transformation of 20th-century Chinese figurative painting. Additionally, it offers a fascinating examination of the tea theme in Chinese scroll painting from the Tang, Song, and Ming dynasties, and explores the evolution of Chinese visual narrative from ancient artistic forms to the lianhuanhua genre. These publications raise important questions about intercultural dialogue in art, highlighting how elements of Chinese aesthetics are reflected in the works of Russian artists who adhere to the classical academic tradition. They also shed light on the development of realism in art education in both China and Russia. The section “Philosophy and Theory of Art” presents an analysis of traditional Chinese painting through the lens of state and law philosophy.

The latest issue of the journal showcases significant research on the diverse cultural heritage of Eurasia. The authors delve into the evolution of mythological consciousness in Kalmyk fine art, as well as explore key elements of decorative and applied arts, such as the origins of the Ural copperware style and artistic cast iron. Additionally, they shed light on the unique features of Korean mirrors adorned with bodhisattvas from the Goryeo period, providing insight into the interplay between spiritual and aesthetic concepts.

In studies of 20th and 21st century art, there is a significant focus on the portrayal of humanity in various works. This includes the works of Vasily Chekrygin, the graphic illustrations of Soviet artists depicting classical literature, the architectural decorations in Ekaterinburg, and the Cuban painting series by Maria Pereyaslavets.

Articles on Danish design and existential research into the work of contemporary Kabardino-Balkarian artists, viewed through the lens of seriality and polystylism, offer a fresh perspective on existing approaches and provide a deep analytical foundation for discussing current philosophical issues in design and art.