No. 3 (26) (2022): Second wave of Russian avant-garde
Second wave of Russian avant-garde

This issue No. 3 (26) of “The Art of Eurasia” Journal is dedicated to avant-garde trends in Russian art in the second half of the 20th century. Sometimes they are called the avant-garde of the second wave, considering of futuristic art forms that arose at the turn of the 19th – 20th centuries as the first wave. The issue includes research presented at the conference “The Second Wave of Russian Avant-garde: Regional Versions” was interesting for us, which was held in Ekaterinburg in 2021 on the basis of the Department of art history and museum studies of the Ural Federal University. The trend of the avant-garde was quite large-scale and manifested itself not only in the capital centres, but also in almost all regions. The articles published here describe the avant-garde search in art from Odessa to Vladivostok and from the beginning of the 20th century to the present day. Thus, the question of the randomness and episodic nature of this phenomenon disappears, and the research focuses on its systematic study, analysis of the artistic and expressive form, deep ideological and philosophical content, and high humanistic and spiritual structure of works.

Forum

Sergey M. Lazarev
30-39
In reference to the “second wave” of the Russian avant-garde
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Vera V. Avdeeva
40-51
Sverdlovsk-Ekaterinburg marginal artists: a way out of underground art of the 1970s –1990s
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Evgeny P. Alekseev
52-63
The city of the future “Peshegrad” by Leo Epple: perception and evaluation of contemporaries
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Nigora R. Akhmedova
64-73
Painting of the Republics of Central Asia in search of renewal of the artistic language (1960s)
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Dina I. Akhmetova
74-83
Bulat Galeev's artistic “orbital” in Kazan in the 1960s – 1980s
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Olga A. Bakhilina
84-93
Yuriy Vysokovskikh and Yuriy Trofimov: artists of the second Russian avant-garde in Karelian art
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Natalia M. Goncharenko
94-105
A special viewpoint: “unofficial” art of the 1960s – 1980s from the collection of the Belgorod State Art Museum
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Svetlana M. Gracheva
106-119
Experimental art of the Russian regions of the second wave of avant-garde
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Tatyana P. Zhumati
120-127
The fate of the “second avant-garde” in the province: the practice and legacy of Sverdlovsk informal artists of the 1960s – 1980s in the assessments of the professional “expert community”
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Olga I. Kober
128-141
About the features of the avant-garde art of Orenburg of the second half of the 20th century: axiological context
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Maria Yu. Komarova
142-157
Transformations of the artistic method of the Tagil graphic artist N.V. Grachikov: late 1980s – 2010s
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Lyubov V. Koposova
158-167
The path to abstraction through the mode of design thinking: artistic experiments by Veniamin Stepanov
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Natalia A. Levdanskaya
168-179
Persons of the “second wave of Russian avant-garde” in the fine arts of Primorye: Fyodor Morozov
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Lyudmila Y. Limanskaya
180-189
Avant-garde trends in Ukrainian painting from the beginning to the second half of the 20th century
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Elena A. Ryumina
190-205
Expansion of space: continuity in the development of the idea of space-time between the first and second waves of the Russian avant-garde
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Maria I. Stikhina
206-215
The symbolism of color in the painting of Lyubov and Vasily Antsiferov: red and gold
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Vyacheslav N. Chimitov
216-225
Grotesque metamorphoses of the motif of ancient Russian architecture in the work of N.D. Gritsiuk
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Tamara G. Chudinovskaya
226-233
Creativity of Tatiana Glebova in the current of the “sacralized plasticism”: about one picture
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Dictionary of Buddhist Iconography by Lokesh Chandra

Lokesh Chandra; Sophia M. Belokurova
234-241
Sumeru
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