Abstract
Aniconic iconography of Church Councils in the form of architectural and urban motifs, which is represented in the mosaics of the northern wall of the central nave of the Basilica of the Nativity in Bethlehem in 1169, is relatively rare. Several examples of such type are known in Byzantine and West European monuments of the 9th – 10th centuries. A combination of architectural compositions and anthropomorphic images of church fathers, emperors, participants of Councils could be found in manuscripts of 9th – 12th centuries. The aniconic motifs in Bethlehem corresponded not only to the appeal to the early mosaic program of the basilica during the restoration of the 12th century or to the ideology and politics of the crusaders, but also to the tradition of non-figurative art of the Byzantine world, which existed until the 12th century. The Eastern Christian Monophysite tradition and Islamic monuments could also have an influence on the aniconic motifs in the mosaics of the Bethlehem basilica.
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