Abstract
The article is devoted to the oeuvre of the Buryat sculptor, architect, religious thinker Sanzhi-Tsybik Tsybikov (1877–1934). The author examines the main themes, symbols, and artistic techniques used by the artist in his works and analyses some of his most significant sculptures. An interdisciplinary methodological approach combining iconometry, iconology, formal-stylistic and semantic methods formed the basis of the research. Iconometry, being the most important compositional and symbolic method in Buddhist sculpture, opens up opportunities for new analysis and interpretation of works of art. The analysis of the iconometric constructions of S. Tsybikov's sculptures revealed the connection of the ideological (Buddhist) basis of his work with the artistic techniques used.
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