Eurasian Heritage

The heading “Eurasian Heritage” is devoted to the origins – the archaic art of Eurasia, as well as arts and crafts and folk art. The focus of research is on images, motives, values reflected in the artworks of different eras and cultures and united by the Eurasian worldview.

All Items

Lutin Hastuya, Dorjsurengiin Uranchimeg
34-49
The influence of philosophical movements and artistic traditions of China on the fine arts of the Khitan Liao Empire
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Suresh Chaudhary, Pankaj Gupta
50-67
Bangdwari: the living tradition of Kangra
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Larisa A. Romanova
30-43
Cultural and educational activities of the Lugansk Art Museum in the case of the “Our Traditions” project
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Irina V. Buzunova
14-29
Panticapaeum torso: an approach to stylistic interpretation
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Sophia M. Belokurova
14-21
Indian art critic and artist Om Chand Handa: main directions of creativity
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Lyudmila V. Lbova
22-33
Artistic forms of the Siberian Ice Age as a way of self-identification of man and society: objects of personal ornamentation
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Irina Yu. Ponkratova, Lyudmila V. Lbova, Lyubov S. Lebedeva
34-45
Aleut tattoos: tools, paints, ornament, signification
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Anna I. Pankina, Tatyana E. Rostiazhenko
14-25
The ancient art of North Asia: modern possibilities of documentation, publication and data exchange
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Ivan N. Suloev
26-31
The history of icon painting in the Kostroma Region in the second half of the 16th – first third of the 17th century
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Taisiya M. Mazalevskaya
14-21
The artistic image of the Semenovskaya matryoshka in the Soviet and post-Soviet periods
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Ivan N. Suloev
22-29
The concept of “Kostroma school of icon painting”: statement of the problem
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Elena I. Shakleina
30-43
The image of the Virgin of the Sign in the icon painting of the Yenisei Siberia in the 18th – the late 19th century
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Daniil E. Onufrienko
14-27
Analysis of the Megjid Janraisig temple in the Gandantegchenlin complex: graph-iconological method
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Tatiana N. Kanaryova, Mikhail Yu. Shishin
28-39
Comparative analysis of objects of sacred Mongolian architecture based on graph-iconological method
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Gleb Alexandrovich Pudov
10-17
The chest craft of the village of Byngi (Middle Urals, 18th – 1st half of the 20th century): materials for the history
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Delgr Vladimirovna Sangadzhieva
10-25
On the transformation of the Kalmyk costume in the second half of the 20th century – the beginning of the 21st century
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Alla Sergeevna Kharitonova, Xenia Evgenievna Elowsky
26-31
Symbolism and semantics of the Ob Ugrians festive costume
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Kermen Petrovna Batyreva
10–21
Gold sewing of Kalmyks in the context of the development of the applied arts of the Mongolian nomads
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Prosenjit Raha
32-47
The Patuas of Nayagram: a journey and its ups and downs
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Alla Leonidovna Usanova
24-31
A holiday in still lifes of naive artists: exhibition experience at the beginning of the 21st century
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Tatyana Anatolevna Boronoeva
12-23
The picture of the world in the graphic art of the Buryat painter Tsyren-Namzhil Ochirov
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Yulia Igorevna Elikhina
21-34
Review of studies of the Noin-Ula archaeological site (Northern Mongolia)
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Maina Petrovna Chebodaeva
35-42
Traditional caskets Abdra and boxes Khayrchakh of Khakass (18th – early 20th century)
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Olga Dmitrievna Bubnovene, Natalia Germanovna Svatkova
11-20
Reconstruction of jewelry from the Kinyaminsky II burial ground
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Maina Petrovna Chebodaeva
23–44
Ethnographic images of Khakases in the work of V.I. Surikov
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