Theoretical and methodological approaches to the study of “severe style” and its manifestation in the works of Siberian artists on the example of a landscape
No. 4 (27) (2022), Forum
No. 4 (27) (2022)

Theoretical and methodological approaches to the study of “severe style” and its manifestation in the works of Siberian artists on the example of a landscape

Forum
DOI: https://doi.org/10.46748/ARTEURAS.2022.04.003
Published 2022-12-29
Victoria A. Borunova
State Art Museum of Altai Krai, Barnaul, Russian Federation

eLibrary ID borunovavictoria@gmail.com

Выпуск № 4 (27) 2022 журнала "Искусство Евразии"
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Keywords

“severe style”, Soviet art, Siberian art, landscape, Gennady Borunov, German Zavyalov, Alexey Liberov, Boris Ryauzov,

How to Cite

Borunova V. A. Theoretical and methodological approaches to the study of “severe style” and its manifestation in the works of Siberian artists on the example of a landscape // The Art of Eurasia, 2022. № 4 (27). P. 40-57. URL: https://doi.org/10.46748/ARTEURAS.2022.04.003.
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Abstract

The article reveals the problem of “severe style” in the Soviet art of the 1950s – 1960s, considers its main features and thematic images. The author explores the issue of representation of the “severe style” in the paintings and graphic works of Siberian artists of the middle – second half of the twentieth century. Comparative analysis of landscape works by G.F. Borunov, B.Ya. Ryauzov, G.N. Zavyalov, A.N. Liberov showed the manifestations of the “severe style”, discovered patterns and differences, as well as features of the expression of “severe style” in the Siberian fine arts.

https://doi.org/10.46748/ARTEURAS.2022.04.003

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