Keywords
Old Russian frescoes, restoration of monumental temple art, the importance of copying frescoes,
How to Cite
Ovchinnikov A. N. Monumental painting: the dispute between “theorists” and restorers // The Art of Eurasia, 2017. № 4 (7). P. 74-78. URL: https://doi.org/10.25712/ASTU.2518-7767.2017.04.005.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
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Abstract
The article substantiates the great importance of copying works of monumental art of Ancient Rus. This allows you to save images even in copies, allows during the copy process, not only to study in detail the technological and content side of fresco cycles, but, according to the author, forms the world, allows integrity to assess spiritual world of the masters of the past. The copy itself must not be fragmented, but to comprehensively cover all of the murals of the temple. High-quality copies of frescoes can be interesting exhibits in exhibitions and should be kept as works of art.
References
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- Likhachev D. S. [Russia]. Literaturnaya gazeta – Literary Newspaper, 1968, October 12, No 4/5211, p. 6.
- Mal'tseva A.A. Drevnerusskie freski. Kopii iz sobraniya Gosudarstvennogo russkogo muzeya. Katalog [Old Russian frescoes. Copies from the collection of the State Russian Museum. Catalog]. Leningrad, State Russian Museum, 1983.
- Soobshcheniya Vserossiiskoi tsentral'noi nauchno-issledovatel'skoi laboratorii po konservatsii i restavratsii muzeinykh khudozhestvennykh tsennostei [Reports of the All-Russian Central research laboratory for the conservation and restoration of museum art values]. Iss. 3, annex III. Moscow, 1968.
