Abstract
The article is a review and analysis of the exhibition of works by O. Rodin and A. Kiefer in 2017 in the Museum of Auguste Rodin in Paris. The starting point of the exhibition was the work "Cathedrals of France", and the exhibition itself became a dialogue between the two artists, expressing the convergence of the two eras in a single ensemble. The architecture of cathedrals, the architectonics of the human body, the connection of the spiritual and material worlds, the constant renewal – these are some of the points of contact of the masters, which became the subject of this research.
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