Abstract
The article presents an analysis of the travelling project of the Sakhalin Regional Art Museum, entitled “Island of Fish in the Far Sea”. In 2013, the museum undertook a tour which saw it unite with partner museums of Central Russia — Vladimir, Arkhangelsk and Vologda regions. The exhibition presented, for the first time, paintings and graphics created by artists from Sakhalin alongside works of the Nivkhs, Uilta, Evenks and Nanai folk crafts. The objective of this research is to analyse the thematic and exhibition plan, as well as the key works shown in the exhibition, in order to gain insight into the manner in which the traditional culture of the indigenous peoples of Sakhalin is represented. The art of the indigenous peoples of the northern Sakhalin region is represented by works created by the artists themselves, made from traditional materials (fish skin, seal fur, rovduga — suede made from reindeer skin). These works are characteristic of the original culture of reindeer herders and ichthyophags of the Far Eastern region. In the exhibition section entitled “Art of Sakhalin artists”, works representative of each historical period in the island's artistic development were selected, simultaneously elucidating the history and geographical characteristics of the Sakhalin Oblast. The analysis yielded the conclusion that the juxtaposition of folk art and fine art in the context of portraying the cultural and geographical images of the island region enabled the revelation of the distinctive characteristics of the regional culture of Sakhalin and the Kuril Islands, as well as the presentation of talented artists and original masters.
References
- Bortnik, A.F. and Vinokurova, A.N. (2017) ‘Color scheme and ornament of costumes of indigenous peoples of the North’, Concept, 11, pp. 51–53. (In Russ.)
- Djachkova, L.G. (2013) ‘Traditional costume as a basis of the Nanais art artistic comprehension’, in Luchkova, V.I. (ed.) The new ideas of new century – 2013, in 3 volumes, vol. 2 [Conference proceedings]. Khabarovsk: Pacific State University, pp. 52–57. (In Russ.)
- Kimova, L.D. (1992) ‘On the decorative and applied art of the Nivkhs. Clothing’, in Latyshev, V.M. and Ishchenko, M.I. (eds.) B.O. Pilsudsky — researcher of the peoples of Sakhalin, in 2 volumes, vol. 1 [Conference proceedings]. Yuzhno-Sakhalinsk: Sakhalin Regional Museum of Local History, pp. 160–161. (In Russ.)
- Kistova, A.V., Pimenova, N.N. and Bukova M.I. (2018) ‘The contemporary state of the decorative and applied arts of the Evenks: indigenous peoples of the Siberian Arctic’, Severnyye arkhivy i ekspeditsii = North archives and expeditions, 2(1), pp. 49–56. (In Russ.)
- Kocheshkov, N.V. (1995) Decorative art of the peoples of the Lower Amur and Sakhalin in the 19th–20th centuries. Saint Petersburg: Nauka. (In Russ.)
- Libakova, N.M. and Sertakova, E.A. (2017) ‘Decorative arts of the indigenous peoples’, Sibirskiy antropologicheskiy zhurnal = Siberian Journal of Anthropology, 1(3), pp. 6–22. (In Russ.)
- Nitkuk, E.S. (2021) ‘Nivkh art in the funds of the Sakhalin Regional Art Museum’, Izobrazitel'noye iskusstvo Urala, Sibiri i Dal'nego Vostoka = Fine Art of the Urals, Siberia and the Far East, (2), pp. 16–169. (In Russ.)
- Nitkuk, E.S. (2000) ‘Elements of traditional culture in modern everyday practice of the Nivkhs’, Vestnik Sakhalinskogo muzeya = Bulletin of the Sakhalin Museum, (1), pp. 185–190. (In Russ.)
- Roon, T.P. (1994) ‘The influence of Slavic culture on the traditional culture of the peoples of Sakhalin’, in Vysokov, M.S. (ed.) Slavs in the Far East: problems of history and culture. Yuzhno-Sakhalinsk: SCDN Publ., pp. 56–65. (In Russ.)
- Samsonova, E.M. and Dyachkova, L.G. (2014) ‘The cosmogonical representations as a basis for classification Nanais works of folk art’, in Luchkova, V.I. (ed.) The new ideas of new century – 2013, in 3 volumes, vol. 3 [Conference proceedings]. Khabarovsk: Pacific State University, pp. 166–170. (In Russ.)
- Seredkina, N.N. (2014) ‘Revisiting methodological principles of cultural-semiotic approach in studying art of indigenous peoples of the North, Siberia and the Far East’, Journal of Siberian Federal University. Humanities and Social Sciences, 7(8), pp. 1342–1357.
- Safyannikova, T.M. (2008) Evenki ornaments and decorations. Krasnoyarsk: Sibirskiye promysly. (In Russ.)
- Titoreva, G.T. (2004) Artistic features of the ornamental art of the Nanai people. Cand. Art. Sc. thesis. Saint Petersburg. (In Russ.)
- Maramzina, A.M. (comp.) (2000) Decorative and applied art of the peoples of the Far East [Catalogue]. Yuzhno-Sakhalinsk: s.n. (In Russ.)
- Glushakova, I.A. (2010) ‘Living Silver (works of applied art made from fish skin)’, in Museum collections. Exhibitions. Experience of educational activities, Issues 2–3. Yuzhno-Sakhalinsk: s.n., pp. 139–147. (In Russ.)
- Nitkuk, E.S. (2009) ‘Brief overview of the collection of decorative and applied art of the Uilta and Evenki from the funds of the Sakhalin State Regional Art Museum’, in Prokofiev, M.M. and Cherpakova, K.Ya. (eds.) Cultural heritage of the peoples of the Russian Far East. Sakhalin Region. Uilta. Evenki. Yuzhno-Sakhalinsk: Lukomorye, pp. 115–131. (In Russ.)
- Glushakova, I.A. (2008) ‘On the uniqueness of the collection of applied art of indigenous peoples of Sakhalin in the SSRAM. Problems of preserving the culture of indigenous peoples of Sakhalin’, in Turmanova, Z.V. (comp.) and Malkova, I.G. (ed.) The origins of art. Yuzhno-Sakhalinsk: AGMa, pp. 17–24. (In Russ.)
- Brzhezovskaya, N.A. (comp.) (2005) Givi Mantkava: painting, graphics in the collection of the Sakhalin Regional Art Museum. Yuzhno-Sakhalinsk: Sakhalin Regional Art Museum. (In Russ.)
- Brzhezovskaya, N.A. (comp.) (2013) Fine art of Far Eastern artists in the collection of the Sakhalin Regional Art Museum. Kaliningrad: Axios. (In Russ.)
- Brzhezovskaya, N.A. (2013) ‘Sakhalin graphics’, in Brzhezovskaya, N.A. and Nitkuk, E.S. (comps.) Fish Island in the Far Sea. Yuzhno-Sakhalinsk: s.n. (In Russ.)



