Siberian folk icons: the experience of researching a private collection

Abstract

The article analyses the collection of Siberian icons from the private collection of Andrey V. Kovalev, known as Suzun painting. Its aims include introducing the collection into scientific circulation, identifying characteristic features of the icons, examining the means of artistic expression, and situating the works within the broader context of Siberian icon painting. The study holds significance for comprehending the Siberian icon phenomenon and identifying styles akin to other icon painters.  The collection presently comprises 47 icons. Among the multi-figure images are the icons “The Fiery Ascent of the Prophet Elijah”, “Annunciation of the Mother of God”, “The Crucifixion of Christ”, “Saints Modest and Vlasius”, “The Holy Martyrs Kirik and Ulita”. Among the single-figure icons the following images are widespread: “St. Nicholas the Wonderworker”, “The Saviour of the Uncrowned”, “Our Lady of the Sign”, “Our Lady of the Hodegetria”, “St. Michael the Archangel”, “St. Catherine the Martyr” and “St. George the Victorious”. As a result of comparative analysis of a number of works, common stylistic features were identified: the icons are devoid of small details, they are characterised by laconic images, the use of dark backgrounds, common features in the depiction of the image of Christ in the outline of the face, in the writing of the cross halo.