Attribution of the icon of the Resurrection of Christ with stamps from the State Art Museum of Khanty-Mansiysk Autonomous Okrug
No. 4 (31) (2023), Forum
No. 4 (31) (2023)

Attribution of the icon of the Resurrection of Christ with stamps from the State Art Museum of Khanty-Mansiysk Autonomous Okrug

Forum
DOI: https://doi.org/10.46748/ARTEURAS.2023.04.009
Published 2023-12-29
Maria S. Trubacheva
Grabar Art Conservation Center, Moscow, Russian Federation

eLibrary ID trubacheva.ms@gmail.com

Выпуск № 4 (31) 2023 журнала "Искусство Евразии"
HTML (Русский)
PDF (Русский)
JATS XML (Русский)
HTML (Русский)
PDF (Русский)
JATS XML (Русский)

Keywords

icon painting, Khanty-Mansiysk Museum, icon “The Resurrection of Christ, with 63 stamps”, Rostov the Great,

How to Cite

Trubacheva M. S. Attribution of the icon of the Resurrection of Christ with stamps from the State Art Museum of Khanty-Mansiysk Autonomous Okrug // The Art of Eurasia, 2023. № 4 (31). P. 156-167. URL: https://doi.org/10.46748/ARTEURAS.2023.04.009.
##plugins.generic.citationStyleLanguage.style.art## ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver

Download Citation

Endnote/Zotero/Mendeley (RIS) BibTeX
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

... ... ... ... ... ... ... ... ... ... ...

Current Issue
Information

Abstract

The article focuses on attribution research and art history analysis of the icon of the Resurrection of Christ with stamps (miniature drawings) from the collection of the State Art Museum of Khanty-Mansiysk Autonomous Okrug. The research is conducted using art historical and semiotic approaches. The compositional structure, composition and technical features of the icon, including the venerated saints and Mother of God images, were thoroughly analysed by the author. The study also included exploration of technological and stylistic aspects. It has been established that the creation of the object can be attributed to the latter half of the 18th century and is connected to Rostov Veliky (i. e. Rostov the Great). This is the time when the finery trade flourished and the fine arts were influenced by Malorossian (Little Russian) and Polish models.

https://doi.org/10.46748/ARTEURAS.2023.04.009

References

  1. Bobrov, Yu.G. (1995) The basics of iconography of ancient Russian painting. St. Petersburg: Axioma. (In Russ.)
  2. Vakhrina, V.I. (1999) ‘Icons of the Rostov Bishop's House’, Iskusstvo khristianskogo mira = Art of the Christian World, (3), pp. 134–143. (In Russ.)
  3. Voronets, E.N. (1893) How and on what basis should the icon of the Resurrection of Christ be depicted? Moscow: University PH. (In Russ.)
  4. Ivanova, S.V. (2022) ‘Iconography of the resurrection in the Russian art of the 16th — 18th centuries: sources of formation of the new canons’, Vestnik Pravoslavnogo Svyato-Tikhonovskogo gumanitarnogo universiteta. Seriya 5: Voprosy istorii i teorii khristianskogo iskusstva = St. Tikhon's University Review. Series 5: Problems of History and Theory of Christian Art, (45), pp. 28–44. doi:10.15382/sturV202245.28-44. (In Russ.)
  5. Ivanova, S.V. (2010) ‘The Iconography of Easter: The Descent into Hell and the Resurrection’, Istoriya i kul'tura = History and culture, (8), pp. 36–61. (In Russ.)
  6. Ivanova, S.V. (2019) Resurrection and Descent into Hell: a history of two subjects in Christian art. Saint Petersburg: Russian Institute of Art History. (In Russ.)
  7. Ivanova, S.V. (2014) ‘Transformations of the Resurrection Image in Russia’, Observatoria kulʹtury = Observatory of Culture, (4), pp. 138–141. doi:10.25281/2072-3156-2014-0-4-138-141. (In Russ.)
  8. Kvlividze, N.V. (2005) ‘Resurrection of Jesus Christ. Iconography’, in Orthodox Encyclopedia, vol. 9. Moscow: Ecclesiastical Scientific Center “Orthodox Encyclopedia”, pp. 420–423. (In Russ.)
  9. Kondakov, N.P. (1905) The iconography of the Lord God and Savior Jesus Christ. Saint Petersburg: Tovarishchestvo R. Godiks and A. Vil’borg Publ. (In Russ.)
  10. Lazarev, V.N. (1978) Byzantine and Old Russian art. Moscow: Nauka. (In Russ.)
  11. Ovchinnikov, A.N. (1976) ‘Experience of the ancient icons' reconstruction’, in Timrot, A. (ed.) Museum and modernity, issue 2. Moscow: s.n., pp. 196–235. (In Russ.)
  12. Ovchinnikov, A.N. (1988) ‘Icon of the mid-fifteenth century: Resurrection. Pskovian type’, in Yamshchikov, S. (ed Ancient Pskov: History. Art. Archaeology. New investigation. Moscow: Iskusstvo, pp. 133–154. (In Russ.)
  13. Pokrovsky, N.V. (2001) The Gospel in iconographic monuments, mainly Byzantine and Russian. Moscow: Progress-Tradition. (In Russ.)
  14. Poleshchuk, D.V. (2018) ‘The plot of “The Ascension of Christ with Adam” in the icon “The Resurrection of Christ” of 1571 from Veliky Ustyug and some problems of the iconography of the Resurrection in the 17th century’, in Andreeva, A.B. (ed.) Veliky Ustyug. Problems of regional research. Veliky Ustyug: s.n., pp. 65–69. (In Russ.)
  15. Pripachkin, I.A. (2008) About the Resurrection of Christ in Orthodox iconography. Moscow: Pilgrim. (In Russ.)
  16. Uspensky, L.A. (1956) ‘Resurrection of Christ’, Zhurnal Moskovskoy Patriarkhii = Journal of the Moscow Patriarchate, (5), pp. 28–33. (In Russ.)
  17. Kartsonis, A.D. (1986) Anastasis: the making of an image. Princeton, New Jersey: Princeton University Press.
  18. Lucchesi Palli, E. (1970) ‘Höllenfahrt Christi’, in Kirschbaum, E. (Hrsg.) Lexikon der christlichen Ikonographie, B. 2. Freiburg, Basel, Wien: Herder, S. 322–331. (In Germ.)
  19. Schiller, G. (1986) Ikonographie der christlichen Kunst, B. 3: Die Auferstehung und Erhöhung Christi. Gütersloh: Gütersloher Verlagshaus Mohn. (In Germ.)
  20. Komashko, N.I. (2019) ‘Mother of God Novonikitskaya Icon’, in Orthodox Encyclopedia, vol. 51. Moscow: Ecclesiastical Scientific Center “Orthodox Encyclopedia”, pp. 660–661. (In Russ.)
  21. Fedorova, M.M. (2004) ‘The work of the master of Rostov enamel of the 18th century, priest Alexei Vsesvyatsky’, in Art of the Christian World, issue 8. Moscow: Saint Tikhon's Orthodox University, pp. 297–306. (In Russ.)
  22. Krylov, A.P. (1860, reprint 2016) Church and archaeological description of the city of Yaroslavl. Yaroslavl: G. Falk Publ. (In Russ.)
  23. Titov, A.A. (1909) Rostov Veliky, Yaroslavl province and its shrines. Moscow: A.I. Snegireva Publ. (In Russ.)