No. 4 (23) (2021), Dictionary of Buddhist Iconography by Lokesh Chandra
No. 4 (23) (2021)

Paramita

Dictionary of Buddhist Iconography by Lokesh Chandra
УДК 745.04+75.046(294.3) DOI: https://doi.org/10.46748/ARTEURAS.2021.04.022
Published 2021-12-29
Lokesh Chandra
International Academy of Indian Culture, New Delhi, India
eurasia-art@yandex.ru
Выпуск № 4 (23) журнала «Искусство Евразии»
HTML (Russian)
PDF (Russian)
HTML (Russian)
PDF (Russian)

Keywords

Dictionary of Buddhist Iconography, Lokesh Chandra, Paramita, symbolism, iconography, Buddhist art

Categories

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

How to Cite

Chandra, L. (2021) ‘Paramita: УДК 745.04+75.046(294.3)’, The Art of Eurasia, (4), pp. 276–281. doi:10.46748/ARTEURAS.2021.04.022.
ABNT ACM ACS APA Chicago Harvard IEEE MLA Turabian Vancouver Eurasia Art

Download Citation

Endnote/Zotero/Mendeley (RIS) BibTeX

Индексация статей

Белый списокScience IndexDimensionsDOAJOpenAlexScilitКиберЛенинкаEBSCOCrossrefDataCiteInternet Archive ScholarGoogle Scholar
Open Access
Антиплагиат

* Not an advertisement

Abstract

The article is devoted to the iconography of the paramitas. The well-known Tibetan images, mandalas of Dharmadhatu-Vagishvara Manjugosha, Mahavairochana, Vajrahatu, Garbhadhatu are given. The translation of Lokesh Chandra's article from the Dictionary of Buddhist Iconography was made by S.М. Belokurova.

DOI: https://doi.org/10.46748/ARTEURAS.2021.04.022

References

  1. Malmann M.-T. Introduction a l’iconographie du Tantrisme Bouddhique. Paris, Adrien-Maisonneuve, 1975. 495 p.
  2. Benoytosh Bhattacharyya B. (ed.). Nispannayogavali of Mahapandita Abhayakaragupta. Baroda, Oriental Institute 1949.
  3. Ryujin Tajima. Les deux grands mandalas et le doctrine de l’esoterisme Shingon. Tokyo, Maison Franko-Japanaise, 1959. 351 p.

Most read articles by the same author(s)

1 2 3 4 > >>