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Keywords
Alexander Baranmaa, sculpture, Tuvan contemporary art, agalmatolith, stone-carving art, images of Tuvan mythology and heroic epic in sculpture
Categories
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Shishin, M.Y. (2019) ‘Sculptures by Alexander Baranmaa: УДК 730:73.04’, The Art of Eurasia, (3), pp. 210–222. doi:10.25712/ASTU.2518-7767.2019.03.016.
Индексация статей
Abstract
This article is about the oeuvre of the Tuvan sculptor Alexander Nasovich Baranmaa. The artist received a thorough education, starting his studies at the school studio of fine arts, and continuing it at the art department of the Kyzyl College of Arts. A. Baranmaa received his higher education at the Krasnoyarsk Art Institute at the Faculty of Sculpture. Then he improved his skills as a sculptor in the creative workshops of the Russian Academy of Arts in Krasnoyarsk under the guidance of people's artist of Russian Federation Yu.P. Ishkhanov. A. Baranmaa is an active participant in major regional, national and international exhibitions. His artworks are already included in the collections of large state museums in Russia, and are also in private collections in our country and abroad. The article highlights the main features of the creative method of A. Baranmaa, analyzes the artworks «The Birth of Venus», «Volunteer», «Geniuses. (A.S. Pushkin and Nadia Rusheva)», «Macrocosm» and others.
Acknowledgments
The article was prepared within the grant of RFBR and the Altai Krai Administration for the project 19-412-220003 r_a «Explication of the artistic culture potential of the Altai territory and determination of mechanisms of its use in regional and international tourist projects»
References
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