Keywords
installation, art object, ready-made, collage, form, space, artwork, jewelry art,
How to Cite
Perfilyeva I. Y. Installation core in art jewelry the second half of XX – beginning of XXI centuries // The Art of Eurasia, 2018. № 2 (9). P. 170-179. URL: https://doi.org/10.25712/ASTU.2518-7767.2018.02.013.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
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Abstract
The article is devoted to analysis of artwork, as they determine this stylistic direction in the West, or works of jewelry art, domestic art terminology, in the context of contemporary art practices. The focus of the study is the impact that the installation as a form of contemporary art has had on the development of jewelry art. Due to the indirect, mediated installation influence, there was a fundamental rethinking of traditional functions and subject forms of jewelry. In plastic and genre terms, jewelry has gone beyond its specific boundaries and represents one of the branches of contemporary art.
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