Abstract
The article is devoted to the study of the memorial complex “Exodus and Return” (1996) in the city of Elista as an object of monumental art. The author describes the background of its creation and artistic features in detail for the first time, and also reveals the ideological basis of the memorial dedicated to the memory of victims of Kalmyks’ deportation (1943–1957). As conceived by the authors (sculptor Ernst Neizvestny and architect Sergey Kurneev), the principles of modern sculpture and sacred codes of Kalmyk culture are reflected in a single composition. The article outlines the foundation of the monument's erection, and restores the phased chronicle of its construction: from the initial idea to the practical implementation of the material. The research analyses the architectural design of the memorial, in conjunction with the organization of the surrounding space, with the semantics of art images, as well as the emotional impact of all components of the ensemble on the viewer.
References
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