Panticapaeum torso: an approach to stylistic interpretation
Выпуск № 4 (31) 2023 журнала "Искусство Евразии"
HTML (Русский)
PDF (Русский)
JATS XML (Русский)
HTML (Русский)
PDF (Русский)
JATS XML (Русский)

Keywords

Panticapaeum torso, sculpture, style, iconography, interpretation, attribution, chronology, context, formal analysis, style-comparative analysis,

How to Cite

Buzunova I. V. Panticapaeum torso: an approach to stylistic interpretation // The Art of Eurasia, 2023. № 4 (31). P. 14-29. URL: https://doi.org/10.46748/ARTEURAS.2023.04.001.
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

... ... ... ... ... ... ... ... ... ... ...

Current Issue

Make a Submission

Abstract

One of the most important aims of Ancient Studies is stylistic, iconographic and chronological identification of art item through methods of style-comparative research and technical-technological analysis. Archaeological description and provenance make it easier but museum items often lack the latter which brings much trouble to a scholar. If so, the scholar has to use all the theoretical methods provided to us by the German Classical scholarship of 19th and early 20th century. Scholars of the next generation cultivated and improved those methods on basis of the formal analysis and style-comparative analysis with regard to historical and cultural context. Their work resulted in interdisciplinary approach to art research which includes History, Archaeology, Philology, and Culturology. Modern methods of research allow us to specify the identification of art items that lack provenance like Panticapaeum torso from Hermitage. The methods rest on discovery of the specific features that help to reveal the item affiliation to some of Ancient art schools. As a result, the art item finds its place in the classification of Ancient sculpture.

https://doi.org/10.46748/ARTEURAS.2023.04.001

References

  1. Archive of the State Hermitage. Coll. 1, aids 1, fol. 9, part 1, p. 2. (In Russ.)
  2. Stempkovsky, I.A. (1854) ‘Two letters from Stempkovsky to Blaramberg concerning the particular location of Ancient Tanais’, in Propylaia, book 4. Moscow: Universitetskaya tipografiya, pp. 387–395. (In Russ.)
  3. Svinyin, P.P. (1826) ‘A review of a voyage undertaken by the editor of Oteschtestvennye zapiski around Russia in 1825 concerning archaeology’, in Oteschtestvennye zapiski, 25(70), pp. 306–327. (In Russ.)
  4. Monpéreux, D. (1843) Voyage autour du Caucase, chez les Tscherkesses et les Abkhases, en Colchide, en Géorgie, en Arménie et en Crimée. En 6 tomes. Tome 5. Paris: Librairie de Gide. (In French)
  5. Du Brux, P. (2010) Collected works, in 2 volumes. Saint Petersburg: Kolo. (In Russ.)
  6. Du Brux, P. (1858) ‘The description of ruins and traces of ancient cities and fortifications that used to exist on the European Shore of Cimmerian Bosporus, from Yeni-Kale Lighthouse to Opuk mountain by Black Sea’, in Papers of Odessa Society of Ancient History, vol. 4. Odessa: H. Aleksomati PH Publ., pp. 3–84. (In Russ.)
  7. Muravyov-Apostol, I.M. (1823) The Voyage around Tauris in 1820. Saint Petersburg: Tipografiya pri osobennoy kantselyarii Ministerstva vnutrennikh del. (In Russ.)
  8. Tunkina, I.V. (2002) The Russian science on classical antiquities of southern Russia (18th to mid-19th centuries). Saint Petersburg: Nauka. (In Russ.)
  9. Lunin, B.V. (1929) ‘On the question of the fate of six statues seen by I.A. Stempkovsky and P.P. Svinyin in Taganrog in 1824–1825’, Papers of North-Caucasian Local Society of Archaeology, History and Ethnography, book 1, vol. 3, issue 5–6. Rostov-on-Don, pp. 25–39. (In Russ.)
  10. Vigel, F.F. (1893) ‘Kerch. Essay by Philip Philipovich Vigel (1827)’, in Vigel, F.F. Notes of Philip Philipovich Vigel, in 7 parts. Part 7, appendix. Moscow: Universitetskaya tipografiya, pp. 3–68. (In Russ.)
  11. Russian State Historical Archive (RGIA). Coll. 789, aids 1, fol. 2267, Special collection. (In Russ.)
  12. Mavleev, E.V. (2005) Waldhauer. Saint Petersburg: State Hermitage Publ. (In Russ.)
  13. Waldhauer, O. (no date) ‘Zwei Kolossalstatuen aus Kertch’, in Archive of the State Hermitage. Coll. 6, aids 1, fol. 44, p. 1–4. (In Germ.)
  14. Furtwängler, A. (1893) Meisterwerke der griechischen Plastik. Leipzig; Berlin: Giesecke & Derrient. doi:10.11588/diglit.820. (In Germ.)
  15. Kruglov, A.V. (2005) ‘On the problem of scholar attribution of ancient sculpture’, in Vilinbakhov, G.V. (ed.) The Hermitage readings in memory of V. Levinson-Lessing (2.III.1893–27.VI.1972) [Conference Proceedings]. Saint Petersburg: State Hermitage Publ., pp. 103–116. (In Russ.)
  16. Savostina, E.A. (2012) Ellas and Bosporus. Greek sculpture at Nothern Pontus. Kiev: ADEF-Ukraina. (In Russ.)
  17. Waldhauer, O. (1936) Die Antiken Skulpturen der Ermitage. Bd. 3. Berlin; Leipzig: Verlag von Walter de Gruyter & Co. (In Germ.)
  18. Vipper, B.R. (1972) Art of Ancient Greece. Moscow: Nauka. (In Russ.)
  19. Corso, A. (2004–2014) The Art of Praxiteles, vol. 1–5. Roma: L'Erma di Bretschneider.
  20. Corso, A. (2004) ‘Praxiteles’, in The encyclopedia of sculpture, vol. 3. New York; London: Fitzroy Dearborn, pp. 1355–1357.
  21. Boardman, J. (1995) Greek sculpture. The late classical period and sculpture in colonies and overseas. London: Thames and Hudson.
  22. Stewart, A. (1990) Greek Sculpture. An Exploration, vol. 1–2. New Haven; London: Yale University.
  23. Fuchs, W. (1969) Die Skulptur der Griechen. München: Hermer Verlag. (In Germ.)
  24. Vollkommer, R. (Hg.) (2007) Künstlerlexikon der Antike, Bde. 1–2. Hamburg: Nikol Verlag. (In Germ.)
  25. Pliny (1994) Natural History. On art. Translated by G.A. Taronyan. Moscow: Ladomir. (In Russ.)
  26. Richter, M.-G. (1930) The sculpture and sculptors of the Greeks. New Haven: Yale University.
  27. Ridgway, B.-S. (1997) Fourth-century styles in Greek sculpture. London: Gerald Duckworth.
  28. Lippold, G. (1950) Die griechische Plastik. München: C.H. Beck'sche Verlagsbuchhandlung. (In Germ.)
  29. Saverkina, I.I. (1986) The 5th century BC Greek sculpture in the Hermitage [Catalogue]. Leningrad: Iskusstvo. (In Russ.)
  30. Pausanias (1994). Description of Greece, in 2 volumes. Translated by S.P. Kondratyev. Moscow: Ladomir. (In Russ.)
  31. Ridgway, B.-S. (1994) ‘The Study of classical sculpture at the end of the 20th century’, American Journal of Archaeology, 98(4), pp. 759–772. doi:10.2307/506553.
  32. Bieber, M. (1915) Die antiken Skulpturen und Bronzen des Königl. Museum Fridericianum in Cassel. Marburg: N.G. Elwertsche Verlagsbuchhandlung. (In Germ.)
  33. Hildebrand, A. (1991) The problem of form in painting and sculpture and the collection of articles on Hans von Marées. Translated by V.A. Favorsky and N.B. Rosenfeld. Moscow: Moscow Polygraphic Institute. (In Russ.)
  34. Wölfflin, H. (2002) Principles of Art History. Moscow: V. Shevchuk Publ. (In Russ.)
  35. Waldhauer, O. (1924) Ancient sculpture in Hermitage. Petrograd: Brockhaus-Efron Publ. (In Russ.)
  36. Kuznetsov, V.D. and Tolstikov, V.P. (eds.) (2017) Panticapaeum and Phanagoria. The Two capitals of the Bosporan Kingdom [Catalogue]. Moscow: Pushkin State Museum of Fine Arts. (In Russ.)