Representation of the viewer in still life: from Baroque hidden symbolism of the seventeenth century to the phenomenology of perception in Claude Monet’s work | The Art of Eurasia

Representation of the viewer in still life: from Baroque hidden symbolism of the seventeenth century to the phenomenology of perception in Claude Monet’s work

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“The Art of Eurasia”, online journal

Editorial office address: Russian Federation, 656038, Altai Krai, Barnaul, Lenina Avenue, 46.

The journal is available for free in open access under the Creative Commons Attribution 4.0

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