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Keywords
art of Siberia, zonal exhibitions, regional exhibitions, expositions, artist, art critic
Categories
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Chirkov, V.F. (2023) ‘Zonal and regional exhibitions in Siberia from the Soviet period to the present day: gains and losses’, The Art of Eurasia, (2), pp. 116–139. doi:10.46748/ARTEURAS.2023.02.014.
Индексация статей
Abstract
The article is devoted to the development of the Siberian fine arts. Its purpose is to analyze the main stages of its development, as well as the complex and diverse current trends in Siberian art on the example of the leading exhibitions held in Siberia from the Soviet period to the present. The article used the historical method and a number of art criticism methods. The main exhibitions that took place during the specified period are characterized; external and internal factors influencing the development of modern Siberian art are revealed. It is noted, firstly, that more than sixty years of existence of zonal and regional exhibitions has enriched the national culture; secondly, in modern art, in paintings, graphic works, sculpture and decorative art, many traditions have been preserved, images that reflect universal cultural values have remained. Thirdly, painting, portrait, landscape, still life remain the leading genres in the art of Siberia; fourthly, it should be noted the revival of Orthodox icon painting, the development of applied art of the peoples of Siberia and positive trends in art history.
References
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