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Keywords
Dagdangijn Amgalan, modern Mongolian art, artistic space, composition in painting
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Shishin, M.Y. (2023) ‘Composition and artistic space in the works of Dagdangijn Amgalan’, The Art of Eurasia, (4), pp. 206–219. doi:10.46748/ARTEURAS.2023.04.013.
Индексация статей
Abstract
The article is devoted to the work of one of the leading Mongolian artists of the 20th – the early 21st century, Dagdangijn Amgalan, who was educated first in Mongolia and then in Russia, and who did a lot for the formation of the art education system in his country. The relevance of the formation of a new stage in the study of the artist's heritage with a more in-depth study of his work is substantiated. Based on conceptual developments in the field of artistic space and composition in painting and graphics, the author has conducted an art history and semantic analysis of a number of paintings by the artist (“Spring”, “Stepmother”, “Demonstration”, “Dream”); has revealed the features and types of compositional solutions used by Dagdangijn Amgalan and the specificity of artistic space. It is noted that throughout his creative life there was a complication and perfection of composition in the artist’s works.
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