Forum

354 Items

The “Forum” heading contains research on a topic previously proposed by the editorial of the journal. The list of topics is posted at the beginning of the calendar year on the journal website.

All Items

Svetlana E. Prokopets
Following the traditions of the Russian school of icon painting as a phenomenon of the revival of icon painting in the Luhansk region
142-149
https://doi.org/10.46748/ARTEURAS.2022.02.014
Galina Semenovna Trifonova, Galina Mikhailovna Kazakova
Arthur Vollenweider — the artist, educator herald of urban industrial culture
134-141
https://doi.org/10.46748/ARTEURAS.2022.01.013
Ekaterina Andreevna Kustareva
Natural motives in the works of Nizhny Tagil graphic artists from the collection of the Yekaterinburg Museum of Fine Arts
112-123
https://doi.org/10.46748/ARTEURAS.2022.01.011
Ksenia Gennadievna Badanina
Freedom of the image and the boundaries of the book: Evgeny Bortnikov as an illustrator
52-61
https://doi.org/10.46748/ARTEURAS.2022.01.005
Evgeny Pavlovich Alekseev, Andrey Nikolaevich Merejnikov
Visible image of the talk: illustrations by Gennady Mosin to the “Malachite Box” by Pavel Bazhov
42-51
https://doi.org/10.46748/ARTEURAS.2022.01.004
Olga Ivanovna Bryuzgina
Ways to revive traditions of the Zlatoust engraving on steel in the late 1950s (a study of the creative heritage M.D. Rakov)
62-69
https://doi.org/10.46748/ARTEURAS.2022.01.006
Natalya Igorevna Ponomareva
Sverdlovsk underground art of 1960–1980s in the Yekaterinburg Museum of Fine Arts — analysis of the collection and development potential
124-133
https://doi.org/10.46748/ARTEURAS.2022.01.012
Zoya Yuryevna Tayurova
The Art of the Soviet Urals: artistic embodiment and debunking of social myths
33
Marina Vladimirovna Ageeva
A series of drawings by Mikhail Distergeft «In those years» in the art of the Soviet Urals in the second half of the twentieth century
34-41
https://doi.org/10.46748/ARTEURAS.2022.01.003
Sergey Evgenievich Vinokurov
Sverdlovsk factory "Russkiye Samotsvety" (Russian Precious Gems) and Glavyuvelirprom in the 1960s: on the problem of relations
70-77
https://doi.org/10.46748/ARTEURAS.2022.01.007
Anastasia Alekseevna Egorova, Larisa Evgenievna Petrova, Anna Terentievna Stafeeva, Olga Alekseevna Staina
“Group portrait of the UZTM blacksmith team” by the Ural artist Misha Brusilovsky: an underestimated masterpiece
90-99
https://doi.org/10.46748/ARTEURAS.2022.01.009
Olga Anatolievna Hornung
The Soviet period in the work of avant-garde artists in the collection of the Yekaterinburg Museum of Fine Arts: main trends and transformations
78-89
https://doi.org/10.46748/ARTEURAS.2022.01.008
Alexandra Lvovna Shemyakina
Ural history in the monumental sculpture of Nizhny Tagil: universal and individual in the art of Tagil sculptors
142-155
https://doi.org/10.46748/ARTEURAS.2022.01.014
Irina Vladimirovna Kudryavtseva
The Sverdlovsk branch of AKhRR (AKhR) and the problem of regional art community
100-111
https://doi.org/10.46748/ARTEURAS.2022.01.010
Dorjsuren Uranchimeg, Guoqing Yang
The formation of the art of socialistic realism in Mongolia: the main stages, the role of the Russian art school
170-187
https://doi.org/10.46748/ARTEURAS.2021.04.013
Svetlana Mikhailovna Gracheva
Creative mutual influences of contemporary St. Petersburg and Chinese artists
86-101
https://doi.org/10.46748/ARTEURAS.2021.04.007
Natalia Andreevna Levdanskaya
The Artistic Life of the Far East of Russia and the Countries of the Asia-Pacific Region
72-73
Natalia Alexandrovna Pankratieva
Traditions of Far Eastern jewelry in the costume of the peoples of Amur in the 19th – beginning of 20th centuries
158-169
https://doi.org/10.46748/ARTEURAS.2021.04.012
Alena Alekseevna Datsenko
Vitaly Ilyich Kandyba — the first art critic of Primorye: materials for a biography
118-125
https://doi.org/10.46748/ARTEURAS.2021.04.009
Lyudmila Ivanovna Varlamova
The history of the opening of the first exhibition from the Republic of Korea in the Primorye State Art Gallery
74-85
https://doi.org/10.46748/ARTEURAS.2021.04.006
Yulia Ivanovna Gutareva
Image of Kumgang Mountains (Geumgangsan) in Korean fine arts: tradition and modernity
102-117
https://doi.org/10.46748/ARTEURAS.2021.04.008
Olga Ivanovna Zotova
The image of Vladivostok in paintings and graphics from the funds of the Arsenyev Museum of the History of the Far East
126-147
https://doi.org/10.46748/ARTEURAS.2021.04.010
Galina Gavrilievna Neustroeva
The View of Yakutsk Town in art from the collection of the National Art Museum of The Republic of Sakha (Yakutia)
148-157
https://doi.org/10.46748/ARTEURAS.2021.04.011
Purevsukhijn Baigalmaa
“Rigden Jyepo — Messenger of Shambhala” is the creation of the famous Russian artist, scientist, researcher of Central Asia N.K. Roerich
60-67
https://doi.org/10.46748/ARTEURAS.2021.03.005
Svetlana Garrievna Batyreva
Folk arts and crafts of the Oirats of Mongolia: to the formulation of the problem of study
78-89
https://doi.org/10.46748/ARTEURAS.2021.03.007