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Keywords
Nizhny Tagil, monuments, history of the city, socialist realism, Soviet sculpture
Categories
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Shemyakina, A.L. (2022) ‘Ural history in the monumental sculpture of Nizhny Tagil: universal and individual in the art of Tagil sculptors: 7.036.1:730(470.54)’, The Art of Eurasia, (1), pp. 142–155. doi:10.46748/ARTEURAS.2022.01.014.
Индексация статей
Abstract
Milestones in the development of the Soviet state are reflected in the Tagil muralist, having their own characteristics. During the Soviet period, a certain image of Nizhny Tagil as a city of workers was formed, supported by local sculptors, at the same time, the art of Nizhny Tagil developed all the years of Soviet power in the context of those trends and ideological requirements characteristic of the whole country as a whole. The identification of typical, universal and individual features in the art of Tagil muralists is the main purpose of this study.
References
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