Forum

354 Items

The “Forum” heading contains research on a topic previously proposed by the editorial of the journal. The list of topics is posted at the beginning of the calendar year on the journal website.

All Items

Dina I. Akhmetova
Bulat Galeev's artistic “orbital” in Kazan in the 1960s – 1980s
74-83
https://doi.org/10.46748/ARTEURAS.2022.03.006
Tamara G. Chudinovskaya
Creativity of Tatiana Glebova in the current of the “sacralized plasticism”: about one picture
226-233
https://doi.org/10.46748/ARTEURAS.2022.03.019
Evgeny P. Alekseev
The city of the future “Peshegrad” by Leo Epple: perception and evaluation of contemporaries
52-63
https://doi.org/10.46748/ARTEURAS.2022.03.004
Nigora R. Akhmedova
Painting of the Republics of Central Asia in search of renewal of the artistic language (1960s)
64-73
https://doi.org/10.46748/ARTEURAS.2022.03.005
Lyubov V. Koposova
The path to abstraction through the mode of design thinking: artistic experiments by Veniamin Stepanov
158-167
https://doi.org/10.46748/ARTEURAS.2022.03.013
Olga I. Kober
About the features of the avant-garde art of Orenburg of the second half of the 20th century: axiological context
128-141
https://doi.org/10.46748/ARTEURAS.2022.03.011
Elena A. Ryumina
Expansion of space: continuity in the development of the idea of space-time between the first and second waves of the Russian avant-garde
190-205
https://doi.org/10.46748/ARTEURAS.2022.03.016
Tatyana P. Zhumati
The fate of the “second avant-garde” in the province: the practice and legacy of Sverdlovsk informal artists of the 1960s – 1980s in the assessments of the professional “expert community”
120-127
https://doi.org/10.46748/ARTEURAS.2022.03.010
Maria Yu. Komarova
Transformations of the artistic method of the Tagil graphic artist N.V. Grachikov: late 1980s – 2010s
142-157
https://doi.org/10.46748/ARTEURAS.2022.03.012
Olga A. Bakhilina
Yuriy Vysokovskikh and Yuriy Trofimov: artists of the second Russian avant-garde in Karelian art
84-93
https://doi.org/10.46748/ARTEURAS.2022.03.007
Maria A. Vazhkaya
Icons from the collection of Tatyana Mavrina (1900–1996) in the Department of Private Collections of the Pushkin State Museum of Fine Arts
80-85
https://doi.org/10.46748/ARTEURAS.2022.02.007
Evgenia Vasilievna Subbotina
Riza-covered icons of the late 18th – early 20th century in the collection of the Primorye State Art Gallery
150-165
https://doi.org/10.46748/ARTEURAS.2022.02.015
Irina A. Antropova
Expeditions of the Russian Museum to the White Sea Karelia (1958–2021)
36-45
https://doi.org/10.46748/ARTEURAS.2022.02.003
Tamara A. Bychkova
Altai icon painter Grigory Gurkin
64-79
https://doi.org/10.46748/ARTEURAS.2022.02.006
Irina I. Nabokova
Collection of Kosmozero icon painters Abramovs in the collection of the Kizhi Museum-Reserve
112-123
https://doi.org/10.46748/ARTEURAS.2022.02.011
Aleksey V. Ponomarev
The history of the study, attribution, restoration and digital reconstruction of the original appearance of the icon “Savior Not Made by Hands” from the exposition of the Smolensk Art Gallery
134-141
https://doi.org/10.46748/ARTEURAS.2022.02.013
Olga V. Krupina
Newly discovered icon “The Intercession of the Theotokos” by the Vyatka icon painters Kuznetsov from the collection of the Vyatka Art Museum
104-111
https://doi.org/10.46748/ARTEURAS.2022.02.010
Lydia M. Borshchenko
From the history of the study of icons of the 18th – early 20th century in the existing churches of the Luhansk region
56-63
https://doi.org/10.46748/ARTEURAS.2022.02.005
Olga G. Kiryanova
Representation of icon painting in the expositions of church museums
86-93
https://doi.org/10.46748/ARTEURAS.2022.02.008
Svetlana E. Prokopets
Following the traditions of the Russian school of icon painting as a phenomenon of the revival of icon painting in the Luhansk region
142-149
https://doi.org/10.46748/ARTEURAS.2022.02.014
Evgeniya Viktorovna Shkolina
New facts of the biography of the Altai icon painter V.F. Balykin
180-187
https://doi.org/10.46748/ARTEURAS.2022.02.018
Ivan N. Suloev
The history of the study of Kostroma Church art from 1958 to 1991
166-171
https://doi.org/10.46748/ARTEURAS.2022.02.016
Olga V. Afanasyeva
An icon within a tradition: “Fatherland” with seventeen plot stamps from the collection of iconography of the Vetka Museum
46-55
https://doi.org/10.46748/ARTEURAS.2022.02.004
Elena I. Shakleina
Icon “Archistratege Michael the Voyevoda” from the collection of the Krasnoyarsk Art Museum named after V.I. Surikov: philosophical and artistic analysis
172-179
https://doi.org/10.46748/ARTEURAS.2022.02.017
Anton Alekseevich Klubkov
Russian enamel in the collection of Orthodox art of the State Art Museum of the Altai Krai
94-103
https://doi.org/10.46748/ARTEURAS.2022.02.009