Forum

354 Items

The “Forum” heading contains research on a topic previously proposed by the editorial of the journal. The list of topics is posted at the beginning of the calendar year on the journal website.

All Items

Mikhail Yu. Shishin
The image of a girl in the painting by V.I. Surikov “The Morning of the Streltsy Execution”: the experience of interpretation
110-119
https://doi.org/10.46748/ARTEURAS.2023.01.009
Anastasia Yu. Koroleva, Evgeniy V. Yaylenko
The theme of Italy in the works by Vasily Surikov
66-85
https://doi.org/10.46748/ARTEURAS.2023.01.006
Viktoria Yu. Kovalinskaya
The image of V.I. Surikov in works of decorative and applied art from the collection of the Krasnoyarsk Art Museum
54-65
https://doi.org/10.46748/ARTEURAS.2023.01.005
Victoria I. Krylova
Graphics by G.S. Pashtov in the collection of the State Art Museum of Altai Krai
120-127
https://doi.org/10.46748/ARTEURAS.2022.04.008
Victoria A. Borunova
Theoretical and methodological approaches to the study of “severe style” and its manifestation in the works of Siberian artists on the example of a landscape
40-57
https://doi.org/10.46748/ARTEURAS.2022.04.003
Svetlana E. Prokopets
Comprehension of the Soviet past in the modern fine art of the Lugansk region
152-161
https://doi.org/10.46748/ARTEURAS.2022.04.011
Elena A. Mushnikova
Main stages of life and creativity Altai artist N.P. Ivanov (1923–1985)
128-139
https://doi.org/10.46748/ARTEURAS.2022.04.009
Elmira R. Akhmedova
The importance of the Soviet art school for the painting of Uzbekistan
214-225
https://doi.org/10.46748/ARTEURAS.2022.04.016
Svetlana M. Gracheva
All-Russian Academy of Arts: pages of history (1932–1947)
82-105
https://doi.org/10.46748/ARTEURAS.2022.04.006
Ludmila A. Budrina
Fabergé, Konovalenko and the Ural’s stonecutters: myth and history
58-71
https://doi.org/10.46748/ARTEURAS.2022.04.004
Yuanpeng Huang, Jie Wei
The legacy of the artist Su Gaoli: creative method, main themes and plots
172-185
https://doi.org/10.46748/ARTEURAS.2022.04.013
Vladimir V. Parshukov
Architectural and artistic features of the reconstruction projects of the Regional Committee of the All-Union Communist Party of Bolsheviks building in Novosibirsk
140-151
https://doi.org/10.46748/ARTEURAS.2022.04.010
Sergey E. Vinokurov
The tradition of studying stone carving art in the USSR: a view from the 21st century
72-81
https://doi.org/10.46748/ARTEURAS.2022.04.005
Лихуа Цзинь
Personal workshop of the V.M. Oreshnikov at the Ilya Repin Institute and its Chinese students
186-197
https://doi.org/10.46748/ARTEURAS.2022.04.014
Irina G. Devyatyarova
Artist Nikolai Mamontov in Ukhtpechlag (1936–1940): unknown page of creativity
106-119
https://doi.org/10.46748/ARTEURAS.2022.04.007
Tatyana V. Skubnevskaya, Olga Yu. Udovenko
Vadim Gulyaev: many-sided personality in art
162-171
https://doi.org/10.46748/ARTEURAS.2022.04.012
Vyacheslav N. Chimitov
Nikolay Gritsyuk and Konstantin Chernykh: on the issue of artistic strategies in late Soviet art
198-213
https://doi.org/10.46748/ARTEURAS.2022.04.015
Maria I. Stikhina
The symbolism of color in the painting of Lyubov and Vasily Antsiferov: red and gold
206-215
https://doi.org/10.46748/ARTEURAS.2021.03.017
Natalia M. Goncharenko
A special viewpoint: “unofficial” art of the 1960s – 1980s from the collection of the Belgorod State Art Museum
94-105
https://doi.org/10.46748/ARTEURAS.2022.03.008
Natalia A. Levdanskaya
Persons of the “second wave of Russian avant-garde” in the fine arts of Primorye: Fyodor Morozov
168-179
https://doi.org/10.46748/ARTEURAS.2022.03.014
Sergey M. Lazarev
In reference to the “second wave” of the Russian avant-garde
30-39
https://doi.org/10.46748/ARTEURAS.2022.03.002
Svetlana M. Gracheva
Experimental art of the Russian regions of the second wave of avant-garde
106-119
https://doi.org/10.46748/ARTEURAS.2022.03.009
Lyudmila Y. Limanskaya
Avant-garde trends in Ukrainian painting from the beginning to the second half of the 20th century
180-189
https://doi.org/10.46748/ARTEURAS.2022.03.015
Vera V. Avdeeva
Sverdlovsk-Ekaterinburg marginal artists: a way out of underground art of the 1970s –1990s
40-51
https://doi.org/10.46748/ARTEURAS.2022.03.003
Vyacheslav N. Chimitov
Grotesque metamorphoses of the motif of ancient Russian architecture in the work of N.D. Gritsiuk
216-225
https://doi.org/10.46748/ARTEURAS.2021.03.018