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Keywords
Fyodor M. Morozov, fine arts of Primorye, the second Russian avant-garde, expressionism, mizerabilizm, Dao, Mailstream
Categories
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Levdanskaya, N.A. (2022) ‘Persons of the “second wave of Russian avant-garde” in the fine arts of Primorye: Fyodor Morozov’, The Art of Eurasia, (3), pp. 168–179. doi:10.46748/ARTEURAS.2022.03.014.
Индексация статей
Abstract
The topic of experimental searches of Primorye artists of the late 20th — early 21st century, who fit into the framework of the Second Wave of the Russian avant-garde, is the main one for the author of the article. Over the years, the researcher has published a number of articles, defended his Ph.D. thesis, and carried out a number of exhibition projects. This article is dedicated to one of the brightest and original representatives of this trend — Fyodor Morozov. Unlike most of his associates, Morozov for more than half a century firmly adhered to the line of avant-garde searches, deeply, like no one else, studying the world of fine art. He was carried away by the work of not only the most famous and popular masters of painting, but also those who are known by individual experts, those who, according to Morozov, said his original word in art, whose experience should be conveyed to the professional community. Fyodor Morozov deeply reworks this experience, adding new “colours” to his creative baggage. The educational experience of Fyodor Morozov is also worthy of consideration.
References
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