The importance of the Soviet art school for the painting of Uzbekistan
Выпуск № 4 (27) 2022 журнала "Искусство Евразии"
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Keywords

academy of arts, Soviet art school, socialist realism, realistic school of painting, Uzbekistan, Repin Institute of Arts

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How to Cite

Akhmedova, E.R. (2022) ‘The importance of the Soviet art school for the painting of Uzbekistan’, The Art of Eurasia, (4), pp. 214–225. doi:10.46748/ARTEURAS.2022.04.016.

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Abstract

The article is devoted to the first graduation of the artists of Uzbekistan, who received higher art education at the Leningrad Institute of Painting, Sculpture and Architecture named after I.E. Repin in 1947–1953. These are Rakhim Akhmedov, Nigmat Kuzybaev, Tachat Oganesov, Manon Saidov, Viktor Zelikov. Their connection with the Russian and Soviet artistic tradition was of great historical importance, since the graduates later started with the founding of a professional art school in the republic. The creative work of the studied artists vividly embodies the main trends in the development of the art of Uzbekistan in the 1960s – 1980s. Their artworks are kept in many museums around the world.

DOI: https://doi.org/10.46748/ARTEURAS.2022.04.016

References

  1. Rempel, L.I. (ed.) (1976) Art of Soviet Uzbekistan 1917–1972. Painting. Sculpture. Graphic arts. Decorative and applied art. Theatrical and decorative painting. Cinema artists. Architecture and urban planning. Moscow: Sovetskiy khudozhnik. (In Russ.)
  2. Akhmedova, N.R. (2004) Painting of Central Asia of the 20th century: traditions, originality, dialogue. Tashkent: s.n. (In Russ.)
  3. Shostko, L.V. (2011) Rakhim Akhmedov. 90th birthday. Tashkent: s.n. (In Russ.)
  4. Gracheva, S.M. (2021) ‘The role of the Leningrad academic art school in shaping the creativity of R. Akhmedov and other masters of Uzbekistan’, in Rakhim Akhmedov. 1921–2008 Time and the Artist. Tashkent: s.n., pp. 20–32. (In Russ.)