Eurasian Heritage

92 Items

The heading “Eurasian Heritage” is devoted to the origins – the archaic art of Eurasia, as well as arts and crafts and folk art. The focus of research is on images, motives, values reflected in the artworks of different eras and cultures and united by the Eurasian worldview.

All Items

Olga V. Afanasyeva
“The Image of the Last Judgment” as an example of a multi-figure composition in the “soft landscape” of the Vetka icon-painting tradition
14–29
https://doi.org/10.46748/ARTEURAS.2026.03.001
Galina G. Nechaeva
Space and time in the Vetka icon: The Nativity of the Virgin
30–69
https://doi.org/10.46748/ARTEURAS.2026.03.002
Aylana A. Chap
The creative legacy of Dongak Okaanchyk: on the 130th anniversary of the master
48–67
https://doi.org/10.46748/ARTEURAS.2026.02.002
Galina G. Nechaeva
“Archangel Michael the Voivode”: distinctive features of the Vetka iconography
14–47
https://doi.org/10.46748/ARTEURAS.2026.02.001
Ekaterina Viktorovna Chagina
Artistic metalwork of the Transfiguration Church of the Aleksandrovsky Plant in Perm Governorate
54–65
https://doi.org/10.46748/ARTEURAS.2026.01.003
Aylana Alekseevna Chap
Folklore heroes in the works of Tuvan stone carvers
66–77
https://doi.org/10.46748/ARTEURAS.2026.01.004
Kasya Popova
Journey from the Urals to Siberia: dating and attribution of the Skete-Abalak icon of the Mother of God of the Sign by Sister Angelina
38–53
https://doi.org/10.46748/ARTEURAS.2026.01.002
Tatiana Anatolievna Boronoeva, Aryuna Zhamsuevna Gomboeva
Visual Geseriad in the collection of the National Museum of the Republic of Buryatia: genesis and dynamics of artistic imagery in the 1940s–2020s
14–37
https://doi.org/10.46748/ARTEURAS.2026.01.001
Kasya Popova
Icon and Legend: the Abalak Mother of God with miracles in the marginalia is a unique monument of the Nevyansk School of icon painting
14–29
https://doi.org/10.46748/ARTEURAS.2025.04.001
Delgr V. Sangadzhieva
Kalmyk folk art in the works of set designer Vladimir Khantashov
30–51
https://doi.org/10.46748/ARTEURAS.2025.04.002
Alla A. Usanova, Sergey M. Budkeev
Images of the Virgin Mary from the gallery of the Basilica of the Annunciation in Nazareth
52–67
https://doi.org/10.46748/ARTEURAS.2025.04.003
Svetlana G. Batyreva
Mythological consciousness and its metamorphoses in the fine arts of Kalmykia in the second half of the 20th century
14-43
https://doi.org/10.46748/ARTEURAS.2025.03.001
Elena V. Borshсh
The question of the British origin of the Ural copper tableware models of the second half of the 18th–19th centuries
44-55
https://doi.org/10.46748/ARTEURAS.2025.03.002
Sergey S. Nazin
Problems with establishing the authorship of Karl Friedrich Schinkel in artistic iron casting
56-75
https://doi.org/10.46748/ARTEURAS.2025.03.003
Alina V. Simonova
Artistic features of Goryeo Dynasty mirrors with bodhisattvas images (918–1392)
76-87
https://doi.org/10.46748/ARTEURAS.2025.03.004
Arseny A. Shevlyagin, Alena I. Inozemtseva
Bronze group “Bacchante at the Herma” from the collection of the Peterhof State Museum-Reserve: iconography, existence, restoration
88-99
https://doi.org/10.46748/ARTEURAS.2025.03.005
Elena N. Kolomnikova
Features in the image of the clothes of Saint Nicholas the Wonderworker in the iconography of the West Siberian region: on the research of museum collections
22-33
https://doi.org/10.46748/ARTEURAS.2025.02.002
Galina G. Nechaeva
Spatial icon in the culture of Vetka: Our Lady of Kazan
34-53
https://doi.org/10.46748/ARTEURAS.2025.02.003
Bao Gereltuu, Dondov Ulzijbayar
Golden Horde toreutics
12-21
https://doi.org/10.46748/ARTEURAS.2025.02.001
Xian Wang, Maria Viktorovna Voronova
The symbolism of images of lions in residential carving art in Huizhou region
30–45
https://doi.org/10.46748/ARTEURAS.2025.01.002
Bao Gereltuu, Dondov Ulzijbayar
Decorations and accessories of women’s costume of Mongolian nomads (by example of crafts items from the collection of the National Museum of Mongolia, Ulaanbaatar)
14–29
https://doi.org/10.46748/ARTEURAS.2025.01.001
Alexey V. Ponomarev
Composition and stylistic features of modern temple mosaics
34–45
https://doi.org/10.46748/ARTEURAS.2024.04.002
Galina G. Nechaeva
Embossed icon covers of Vietka: space and time
14–33
https://doi.org/10.46748/ARTEURAS.2024.04.001
Ivan N. Suloev
Creative work of Kostroma icon painters in the second third of the 17th century
14–23
https://doi.org/10.46748/ARTEURAS.2024.03.001
Lutin Hastuya, Dorjsurengiin Uranchimeg
The influence of philosophical movements and artistic traditions of China on the fine arts of the Khitan Liao Empire
34-49
https://doi.org/10.46748/ARTEURAS.2024.01.003