Eurasian Heritage

92 Items

The heading “Eurasian Heritage” is devoted to the origins – the archaic art of Eurasia, as well as arts and crafts and folk art. The focus of research is on images, motives, values reflected in the artworks of different eras and cultures and united by the Eurasian worldview.

All Items

Galmandakh Amarsanaa
Basics of artistic image in rock paintings (using the example of the petroglyphs Baga Oigur and Tsagaan Salaa)
14-25
https://doi.org/10.46748/ARTEURAS.2024.01.001
Ivan N. Suloev
Icons of Kostroma in the 17th century: a source review
68-83
https://doi.org/10.46748/ARTEURAS.2024.01.005
Suresh Chaudhary, Pankaj Gupta
Bangdwari: the living tradition of Kangra
50-67
https://doi.org/10.46748/ARTEURAS.2024.01.004
Bao Lingzhi, Dondov Ulziibayar
Khorchin embroidery of Inner Mongolia
26-33
https://doi.org/10.46748/ARTEURAS.2024.01.002
Irina V. Buzunova
Panticapaeum torso: an approach to stylistic interpretation
14-29
https://doi.org/10.46748/ARTEURAS.2023.04.001
Larisa A. Romanova
Cultural and educational activities of the Lugansk Art Museum in the case of the “Our Traditions” project
30-43
https://doi.org/10.46748/ARTEURAS.2023.04.002
Sophia M. Belokurova
Indian art critic and artist Om Chand Handa: main directions of creativity
14-21
https://doi.org/10.46748/ARTEURAS.2023.03.001
Lyudmila V. Lbova
Artistic forms of the Siberian Ice Age as a way of self-identification of man and society: objects of personal ornamentation
22-33
https://doi.org/10.46748/ARTEURAS.2023.03.002
Irina Yu. Ponkratova, Lyudmila V. Lbova, Lyubov S. Lebedeva
Aleut tattoos: tools, paints, ornament, signification
34-45
https://doi.org/10.46748/ARTEURAS.2023.03.003
Anna I. Pankina, Tatyana E. Rostiazhenko
The ancient art of North Asia: modern possibilities of documentation, publication and data exchange
14-25
https://doi.org/10.46748/ARTEURAS.2023.02.001
Ivan N. Suloev
The history of icon painting in the Kostroma Region in the second half of the 16th – first third of the 17th century
26-31
https://doi.org/10.46748/ARTEURAS.2023.02.002
Ivan N. Suloev
The concept of “Kostroma school of icon painting”: statement of the problem
22-29
https://doi.org/10.46748/ARTEURAS.2023.01.002
Elena I. Shakleina
The image of the Virgin of the Sign in the icon painting of the Yenisei Siberia in the 18th – the late 19th century
30-43
https://doi.org/10.46748/ARTEURAS.2023.01.003
Taisiya M. Mazalevskaya
The artistic image of the Semenovskaya matryoshka in the Soviet and post-Soviet periods
14-21
https://doi.org/10.46748/ARTEURAS.2023.01.001
Daniil E. Onufrienko
Analysis of the Megjid Janraisig temple in the Gandantegchenlin complex: graph-iconological method
14-27
https://doi.org/10.46748/ARTEURAS.2022.04.001
Tatiana N. Kanaryova, Mikhail Yu. Shishin
Comparative analysis of objects of sacred Mongolian architecture based on graph-iconological method
28-39
https://doi.org/10.46748/ARTEURAS.2022.04.002
Gleb Alexandrovich Pudov
The chest craft of the village of Byngi (Middle Urals, 18th – 1st half of the 20th century): materials for the history
10-17
https://doi.org/10.46748/ARTEURAS.2022.01.001
Alla Sergeevna Kharitonova, Xenia Evgenievna Elowsky
Symbolism and semantics of the Ob Ugrians festive costume
26-31
https://doi.org/10.46748/ARTEURAS.2021.04.002
Delgr Vladimirovna Sangadzhieva
On the transformation of the Kalmyk costume in the second half of the 20th century – the beginning of the 21st century
10-25
https://doi.org/10.46748/ARTEURAS.2021.04.001
Kermen Petrovna Batyreva
Gold sewing of Kalmyks in the context of the development of the applied arts of the Mongolian nomads
10–21
https://doi.org/10.46748/ARTEURAS.2021.02.001
Alla Leonidovna Usanova
A holiday in still lifes of naive artists: exhibition experience at the beginning of the 21st century
24-31
https://doi.org/10.46748/ARTEURAS.2021.01.002
Tatyana Anatolevna Boronoeva
The picture of the world in the graphic art of the Buryat painter Tsyren-Namzhil Ochirov
12-23
https://doi.org/10.46748/ARTEURAS.2021.01.001
Prosenjit Raha
The Patuas of Nayagram: a journey and its ups and downs
32-47
https://doi.org/10.46748/ARTEURAS.2021.01.003
Olga Dmitrievna Bubnovene, Natalia Germanovna Svatkova
Reconstruction of jewelry from the Kinyaminsky II burial ground
11-20
https://doi.org/10.46748/ARTEURAS.2020.04.001
Yulia Igorevna Elikhina
Review of studies of the Noin-Ula archaeological site (Northern Mongolia)
21-34
https://doi.org/10.46748/ARTEURAS.2020.04.002