In storerooms and expositions of museums and art galleries

52 Items

One of the important tasks of the journal is to show the artistic treasures of museums, and, first of all, the wealth of regional collections that has not been discovered and studied. The heading “In storerooms and expositions of museums and art galleries” includes analytical reviews and scientific articles about the collections of museums and about their particular works.

All Items

Vasiliy Alekseevich Rastorguev
The painted enamels of Limoges: between reality and myth
352–373
https://doi.org/10.46748/ARTEURAS.2026.01.019
Alla Pavlovna Karpeeva
The history of Votkinsk cast in metal
328–351
https://doi.org/10.46748/ARTEURAS.2026.01.018
Irina G. Malkova
Kyoka-surimono by Yashima Gakutei from the collection of the Sakhalin Art Museum
276–289
https://doi.org/10.46748/ARTEURAS.2025.04.016
Igor Yu. Zlizin
Nizhny Novgorod “Eagle” is a scientific reconstruction of the participation of Kyshtym Mining plants in the 16th All-Russian Industrial and Art Exhibition in 1896
254–275
https://doi.org/10.46748/ARTEURAS.2025.04.015
Ivan A. Golsky
Dedication exhibition “My legacy is Dulevsky porcelain”: analytical review
300–315
https://doi.org/10.46748/ARTEURAS.2024.04.018
Yulia I. Elikhina
Exhibition “Perfection of Tradition: works of Buddhist Buryat art from the collection of the State Hermitage Museum (13th – early 20th centuries)”
316–329
https://doi.org/10.46748/ARTEURAS.2024.04.019
Anton A. Klubkov, Evgeniya V. Shkolina
International exhibition project “Kullu — the silver valley of the Roerichs”: conceptual foundations
272–289
https://doi.org/10.46748/ARTEURAS.2024.03.017
Sergey S. Akimov
“The Dutch Landscape” in funds of the Museum-Reserve Dmitrov Kremlin — unknown work by Abraham Begeyn
222–231
https://doi.org/10.46748/ARTEURAS.2024.02.015
Tatyana P. Ogorodnikova
Works by Western European artists in the Irkutsk Regional Art Museum named after V.P. Sukachev
196-217
https://doi.org/10.46748/ARTEURAS.2024.01.015
Anna Vadimovna Ryndina
Grieving Saviour in Rrussian carvings of the 18th – 19th centuries: moving from traditions to new solutions
188-203
https://doi.org/10.46748/ARTEURAS.2022.02.019
Tatyana Evgenievna Savitskaya
The Leiden views in the collection of the Radishchev State Art Museum in Saratov: reality and fantasy
156-163
https://doi.org/10.46748/ARTEURAS.2022.01.015
Varvara Andreevna Rumyantseva, Elena Grigorievna Shishkova, Yulia Igorevna Elikhina, Yana Rustemovna Urazaeva, Ksenia Sergeevna Chugunova
Features of the restoration of Buddhist thangka
226-239
https://doi.org/10.46748/ARTEURAS.2021.04.018
Elena Grigorievna Shishkova, Kira Fedorovna Samosyuk, Anna Olegovna Divletkildeeva, Olga Lvovna Smolyanitskaya, Sergey Vladimirovich Khavrin, Ksenia Sergeevna Chugunova, Irina Andreevna Grigorieva, Yana Rustemovna Urazaeva
Restoration of 18th century Chinese album
254-269
https://doi.org/10.46748/ARTEURAS.2021.04.020
Olga Alekseevna Batievskaya
On the attribution of the portrait of Emperor Peter III by the German artist Georg Christoph (Christoph) Groot from the funds of the Primorye State Art Gallery
188-197
https://doi.org/10.46748/ARTEURAS.2021.04.014
Asya Lvovna Gabysheva
“Chinese table screen” from the collection of the National Art Museum of the Republic of Sakha (Yakutia): on the question of determining the plot
198-207
https://doi.org/10.46748/ARTEURAS.2021.04.015
Dinara Makharyamovna Mamina
Restoration of the silhouette “Emperor Nicholas I and the Cadet Bubnov”
218-225
https://doi.org/10.46748/ARTEURAS.2021.04.017
Kamilla Burkhanovna Kalinina, Nikolay Nikolaevich Nikolayev, Marina Valeryevna Michri, Alexander Igorevich Revelsky
Archaeological lacquer objects from the Orgoyton burial ground
208-217
https://doi.org/10.46748/ARTEURAS.2021.04.016
Valeria Yurievna Shvets-Shust
Traditional arts and crafts of the peoples of Chukotka and its traditions in the modern subculture
240-253
https://doi.org/10.46748/ARTEURAS.2021.04.019
Margarita Mikhailovna Kornilina
Pavel Tretyakov’s activity in the antique art market
152-161
https://doi.org/10.46748/ARTEURAS.2021.03.013
Natalya Vladimirovna Shtolder
The graphic heritage by Ferdinand Hodler in Swiss collections
176-185
https://doi.org/10.46748/ARTEURAS.2021.03.015
Natalia Aleksandrovna Semakova
Attribution problems of B.V. Smirnov's graphics from the Novosibirsk State Museum of Local History collection
162-175
https://doi.org/10.46748/ARTEURAS.2021.03.014
Irina Aleksandrovna Panchenko
Moscow in photographs of the 1860s – erly 1900s from the collection of the Russian Museum
220-235
https://doi.org/10.25712/ASTU.2518-7767.2020.02.014
Ida Aleksandrovna Shik
Images of Leningrad in Soviet porcelain art of the 1930s – early 1950s
236-254
https://doi.org/10.25712/ASTU.2518-7767.2020.02.015
Elena Gennadievna Zhelnova
Roman Basilicas and churches in terms of pensioner of the Imperial Fine Art Academy Petr Sokolov
255-263
https://doi.org/10.25712/ASTU.2518-7767.2020.02.016
Viktoriya Vladimirovna Demenova
Buddhist collections at the Ural: history and present days
278-286
https://doi.org/10.25712/ASTU.2518-7767.2019.04.019