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Keywords
Buddhist art, sculpture, bronze, Thangka, Ural, regional museum collections of Russia
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Demenova, V.V. (2019) ‘Buddhist collections at the Ural: history and present days: УДК069.5(282.247.42):73:24’, The Art of Eurasia, (4), pp. 278–286. doi:10.25712/ASTU.2518-7767.2019.04.019.
Индексация статей
Abstract
The article is devoted to museum and private collections of Buddhist art in the Urals region, as a special phenomenon in the history of national and regional culture. The author indicates the main museum institutions, their composition and the specifics of formation in the 19th-20th centuries. In particular, the Yekaterinburg Museum of Fine Arts, the Chelyabinsk Museum of Fine Arts, the Sverdlovsk Regional Museum of Local Lore, private collections of A.V. Glazyrin and O.P. Malakhov. Two main sources of Buddhist bronze entering the Urals during the last two centuries are distinguished: a collection of merchants and industrialists and a “repressed” bronze sculpture, which was bringing to that region during the Second Great World War (1941-1945).
References
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