Philosophy and Theory of Art

35 Items

The heading “Philosophy and Theory of Art” is devoted to the actual ideas and concepts, questions of theoretical comprehension of works of fine art and architecture. The essay form of the article is allowed in this section.

All Items

Olga V. Levochka
Representation of the viewer in still life: from Baroque hidden symbolism of the seventeenth century to the phenomenology of perception in Claude Monet’s work
388–417
https://doi.org/10.46748/ARTEURAS.2026.03.020
Victor G. Arslanov
The mystery of primitive art: Restauratio Magna
286–297
https://doi.org/10.46748/ARTEURAS.2026.02.017
Xudong Bai
Feitian as an element of the upper register in Mogao Caves 220 and 103: On the visual order of Tang cave ensembles
84–91
https://doi.org/10.46748/ARTEURAS.2026.02.004
Lev D. Kogan
The terms of “caricature” and “portrait caricature” in their historical development (evidence from Russian encyclopedias of the late 19th to early 21st century)
298–309
https://doi.org/10.46748/ARTEURAS.2026.02.018
AI “art”: creativity or compilation?
310–321
https://doi.org/10.46748/ARTEURAS.2026.02.019
Konstantin A. Maltsev
“Francesco Sassetti’s Last Injunctions to His Sons” by Aby Warburg: an attempt to reconstruct the image of a Renaissance man
290–297
https://doi.org/10.46748/ARTEURAS.2025.04.017
Sergey S. Stupin
Seriality and polystylistics in the existential art of contemporary artists of Kabardino-Balkaria (Mukhadin Kishev, Ruslan Tsrimov, Arsen Gushapsha)
350-367
https://doi.org/10.46748/ARTEURAS.2025.03.020
Elena A. Zaeva-Burdonskaya
Art and technology in Danish design: symbiosis of tradition and innovation
324-339
https://doi.org/10.46748/ARTEURAS.2025.03.018
Tianquan Liu
Experience in analysing traditional Chinese painting in the context of the theories of Bao Gansheng and Pierre Bourdieu (Part 2)
340-349
https://doi.org/10.46748/ARTEURAS.2025.03.019
Alexander V. Samokhin
The female portrait in Russian painting of the 1880–1890s
304-321
https://doi.org/10.46748/ARTEURAS.2025.02.018
Tianquan Liu
Experience in analysing traditional Chinese painting in the context of the theories of Bao Gansheng and Pierre Bourdieu (Part 1)
288-303
https://doi.org/10.46748/ARTEURAS.2025.02.017
Irina V. Fotieva
“Metaphysics of light” in the works of the impressionists
264–271
https://doi.org/10.46748/ARTEURAS.2024.03.016
Sophia M. Belokurova, Daniil E. Onufrienko
Methods of construction of Mongolian temples: architectural and semantic aspects
244–263
https://doi.org/10.46748/ARTEURAS.2024.03.015
Andrey V. Ivanov
Idealization in art
204-213
https://doi.org/10.46748/ARTEURAS.2023.03.014
Lyudmila N. Likhatskaya
Art Studies in Altai
214-233
https://doi.org/10.46748/ARTEURAS.2023.03.015
Mikhail Yu. Shishin, Daniil E. Onufrienko
The oeuvre of Sanzhi-Tsybik Tsybikov: experience in iconometric research
246-263
https://doi.org/10.46748/ARTEURAS.2023.03.017
Irina V. Fotieva
Expressionism in painting: philosophical reflections
234-245
https://doi.org/10.46748/ARTEURAS.2023.03.016
Andrey V. Ivanov
In reference to the essence of art: an attempt of the dialectical definition
226-239
https://doi.org/10.46748/ARTEURAS.2022.04.017
Nadezda A. Tabunova
Artistic processes in the early modern period: cultural references and creativity
240-253
https://doi.org/10.46748/ARTEURAS.2022.04.018
Lev Abramovich Zaks
Mythology forever. The universal/eternal and specifically historical in the Mythologism of the art of Socialist Realism
166-181
https://doi.org/10.46748/ARTEURAS.2022.01.016
Irina Valerievna Fotieva
The mythology of socialist realism: a politicized construction or a return to the origins?
182-191
https://doi.org/10.46748/ARTEURAS.2022.01.017
Natalia Andreevna Levdanskaya
On the problem of the meaning and scope of the term school in contemporary art history (by the case of the Far Eastern region)
270-275
https://doi.org/10.46748/ARTEURAS.2021.04.021
Irina Valerievna Fotieva
Artistic creation as cognition (reflections on the work of K. Levi-Strauss)
282-287
https://doi.org/10.46748/ARTEURAS.2021.01.020
Ольга Игоревна Томсон
In the media performance space
262–269
https://doi.org/10.25712/ASTU.2518-7767.2020.01.019
Elena Dmitrievna Fedotova
Nikolay Gogol about Rome and the Roman Carnival
270–276
https://doi.org/10.25712/ASTU.2518-7767.2020.01.020