Art of the XX–XXI centuries

Art criticism articles about the work of contemporary artists, art associations, trends in art are grouped under the heading “Art of the XX–XXI centuries”.

All Items

Sergei S. Stupin
Half-century-long afternoon. The creative worlds of Vera and Sergei Kondulukov: painting 1971–2021
14-25
https://doi.org/10.46748/ARTEURAS.2022.02.001
Natalia Stepanovna Tsareva
Andrey Arestov — Altai impressionist of the 21st century
18-31
https://doi.org/10.46748/ARTEURAS.2022.01.002
Elena Panteleevna Yakovleva
On the works of Nicholas K. Roerich in the Primorye State Art Gallery
58-71
https://doi.org/10.46748/ARTEURAS.2021.04.005
Tatyana Anatolyevna Boronoeva
The role of museums in the modern artistic process of Buryatia
32-41
https://doi.org/10.46748/ARTEURAS.2021.04.003
Tamara Gennadievna Chudinovskaya
The knight of energetism Alexander Rychkov-Galaktionov
42-57
https://doi.org/10.46748/ARTEURAS.2021.04.004
Lyudmila Anatolyevna Toma
Creative activity of Galina Kantor-Molotova in the puppet theatre and not only
44-59
https://doi.org/10.46748/ARTEURAS.2021.03.004
Lev Dmitrievich Kogan
Artist Nikolay Simonovsky: a new image of St. Petersburg
34-43
https://doi.org/10.46748/ARTEURAS.2021.03.003
Lili Gao
The brief analysis of the paintings of the Zhi Qing Period artists in Heilongjiang Province
22-33
https://doi.org/10.46748/ARTEURAS.2021.03.002
Anton Sergeevich Ainutdinov
On the history of the Sverdlovsk branch of the URSSR Art Fund of the 1940s: the birth of the organization and the beginning of its work
10-21
https://doi.org/10.46748/ARTEURAS.2021.03.001
Olga Nikolaevna Filippova
Landscape in the creative work of Vasily Perepletchikov
32–45
https://doi.org/10.46748/ARTEURAS.2021.02.003
Lev Dmitrievich Melnichuk
Artist Maria Maslennikova: the poetry of the Karelian isthmus and Himalayas in pastel
22–31
https://doi.org/10.46748/ARTEURAS.2021.02.002
Lyudmila Anatolyevna Toma
Viable Traditions in the Painting of Sergei Galben
50-63
https://doi.org/10.46748/ARTEURAS.2021.01.004
Tamara Gennadievna Chudinovskaya
“On the Island of Patmos”: the hermit Sergey Kalmykov
76-87
https://doi.org/10.46748/ARTEURAS.2021.01.006
Olga Nikolaevna Filippova
Landscape in the creative work of Ferdynand Ruszczyc
64-75
https://doi.org/10.46748/ARTEURAS.2021.01.005
Iraida Georgievna Fedchina
Natalya Sergeevna Sysoeva: the artist, teacher, art critic, public figure
102-115
https://doi.org/10.46748/ARTEURAS.2020.04.008
Olga Petrovna Malkova
Issues of the evolution of the image of Stalingrad-Volgograd in fine arts 1940–2020
84-101
https://doi.org/10.46748/ARTEURAS.2020.04.007
Liudmila Mikhailovna Kats
Primorye State Art Gallery as the center of the Far East art space
68-83
https://doi.org/10.46748/ARTEURAS.2020.04.006
Olga Nikolaevna Filippova
Key stages in the creative biography of Vasily Sheshunov — “the singer of the Ussurian taiga”
116-127
https://doi.org/10.46748/ARTEURAS.2020.04.009
Anton Sergeevich Ainutdinov
Post-war art of Sverdlovsk (1946–1952)
44-57
https://doi.org/10.46748/ARTEURAS.2020.04.004
Svetlana Garrievna Batyreva
Buddhist motives in painting Garry Rokchinsky (1960–1990s)
58-67
https://doi.org/10.46748/ARTEURAS.2020.04.005
Galina Mikhailovna Batyuk
Children's images in the works of Pyotr Dik
11–22
https://doi.org/10.46748/ARTEURAS.2020.03.001
Vladimir Petrovich Kravchenko
Authenticity of the Vladimir Melnik’s graphic art
23–35
https://doi.org/10.46748/ARTEURAS.2020.03.002
Elena Vladimirovna Igumnova
Image of a city and British artists of the 1910s
39-50
https://doi.org/10.25712/ASTU.2518-7767.2020.02.002
Anton Sergeevich Ainutdinov
Beyond the severity: portrait of the 1990s in the painting of Igor Simonov
12-38
https://doi.org/10.25712/ASTU.2518-7767.2020.02.001
Olga Alexandrovna Yartseva
Jean-Michel Basquiat and the 1980s New York art scene
335–343
https://doi.org/10.25712/ASTU.2518-7767.2020.01.025