No. 4 (23) (2021), Art of the 20th – 21st centuries
No. 4 (23) (2021)

The knight of energetism Alexander Rychkov-Galaktionov

Art of the 20th – 21st centuries
УДК 7.036:75 DOI: https://doi.org/10.46748/ARTEURAS.2021.04.004
Published 2021-12-29
Tamara Gennadievna Chudinovskaya
State Russian Museum, St. Petersburg, Russian Federation
tamarg@yandex.ru
Выпуск № 4 (23) журнала «Искусство Евразии»
HTML (Russian)
PDF (Russian)
HTML (Russian)
PDF (Russian)

Keywords

Alexander Rychkov-Galaktionov, perestroika, energetism, extantion

Categories

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

How to Cite

Chudinovskaya, T.G. (2021) ‘The knight of energetism Alexander Rychkov-Galaktionov: УДК 7.036:75’, The Art of Eurasia, (4), pp. 42–57. doi:10.46748/ARTEURAS.2021.04.004.
ABNT ACM ACS APA Chicago Harvard IEEE MLA Turabian Vancouver Eurasia Art

Download Citation

Endnote/Zotero/Mendeley (RIS) BibTeX

Индексация статей

Белый списокScience IndexDimensionsDOAJOpenAlexScilitКиберЛенинкаEBSCOCrossrefDataCiteInternet Archive ScholarGoogle Scholar
Open Access
Антиплагиат

* Not an advertisement

Abstract

The article examines the work of the Leningrad-Petersburg artist Alexander Rychkov-Galaktionov (b. 1948), a painter and graphic artist, a native of the I.E. Repin Institute of the Russian Academy of Arts (1973). A feature of his creative path was the substantiation by him in 1990 of his own creative method, called “energetism”, and the pictorial manner of “extantion”. His work is conventionally divided into three periods, the first of which is the groping of his author's self (1970s – 1980s). The second period is associated with the time of the historical era of "perestroika", some aspects of which the artist strove to convey in metaphysical pictorial language, departing from the previous realistic painting manner. This period can be called a transitional to the next, semi-figurative stage of creativity, at which the artist finally formulates his creative credo.

DOI: https://doi.org/10.46748/ARTEURAS.2021.04.004

References

  1. Alexander Rychkov-Galaktionov. Exhibition. St. Petersburg, S. n., 2015. (In Russian).
  2. Alexander Rychkov-Galaktionov. Personal exhibition catalog. St. Petersburg, Society of Music and Arts Apollo, 1996. (In Russian).
  3. B. K. Energetizm tsveto-formy [Energetism of color-form]. Apollon — Apollo, volume 1, book 2. St. Petersburg, Apollo Publ., 1995, pp. 397–404. (In Russian).
  4. Damaskin Ioann, reverend. Tochnoye izlozheniye pravoslavnoy very [An accurate statement of the Orthodox faith]. Available at: https://azbyka.ru/otechnik/Ioann_Damaskin/tochnoe-izlozhenie-pravoslavnoj-very-per-ai-sagardy-va-beljaeva-sm-zarina-nm-malahova/1_1 (accessed: 25.08.2021). (In Russian).
  5. Evagrius of Pontus, Abba. Slovo o dukhovnom delanii [A word about spiritual doing]. Available at: https://azbyka.ru/otechnik/prochee/dobrotoljubie_tom_1/63 (accessed: 12.08. 2021). (In Russian).
  6. Ilarion (Alfeev), abbot. Tainstvo very [The sacrament of faith]. Internet journal of the Omega Web Center, New York – Moscow, 2001. Available at: https://eparhia-saratov.ru/Content/Books/31/12.html (accessed: 12.08.2021). (In Russian).
  7. Kandinsky V. O dukhovnom v iskusstve [On the spiritual in art]. Leningrad, Leningrad Gallery Foundation, 1989. (In Russian).
  8. Koval N.A. Podkhody k psikhologicheskoy interpretatsii “dukhovnosti” [Approaches to the psychological interpretation of “spirituality”]. Vestnik Tambovskogo gosudarstvennogo universiteta — Bulletin of the Tambov State University, 1998, No. 1, pp. 33–39. (In Russian).
  9. Kononikhin N.Yu. Iskusstvo glazami kollektsionera. Vtoraya polovina XX veka. Leningradskiy opyt [Art through the eyes of a collector. Second half of the twentieth century. Leningrad experience]. St. Petersburg, State Russian Museum, 2019. 228 p. (In Russian).
  10. Larionov M.F. Luchizm [Rayonism]. Moscow, K&K Publ., 1913. 21 p. (In Russian).
  11. Medvedev A.V. Dukhovnaya piramida Vasiliya Kandinskogo [The spiritual pyramid of Wassily Kandinsky]. Topos, 2004, August 17. Available at: https://www.topos.ru/article/2647 (accessed: 22.04.2021). (In Russian).
  12. International Academy of Energy Information Sciences. Academic [Internet resource]. Available at: https://dic.academic.ru/dic.nsf/ruwiki/1030957 (accessed: 22.04.2021). (In Russian).
  13. Mochalov L.V. Pavel Kondrat'yev. Novyye kanuny. Pereklichka epokh [Pavel Kondratyev. New Eves. Roll call of epochs]. Andrushenko A. (ed.). Krug Kondrat'yeva [Kondratyev's Circle]. St. Petersburg, P.R.P. Publ., 2005, pp. 41–45. (In Russian).
  14. Mochalov L.V. Sakralizovannyy plastitsizm (Posle vystavki «Vokrug Sterligova») [Sacralized plasticism (After the exhibition "Around Sterligov"). Cycle of articles]. Department of Manuscripts, State Russian Museum, coll. 216, aids 2, item 68. (In Russian).
  15. Naletova I.V. Dukhovnost' kak sotsiokul'turnoye yavleniye [Spirituality as a sociocultural phenomenon]. Vestnik Tambovskogo gosudarstvennogo universiteta — Bulletin of the Tambov State University, 1999, No. 1, pp. 71–76. (In Russian).
  16. Panin S.A. Filosofiya ezoterizma: ezoterizm kak predmet istoricheskoy i filosofskoy refleksii [Philosophy of esotericism. Esotericism as a subject of historical and philosophical reflection]. Moscow, New Literary Review, 2019. 206 p. (In Russian).
  17. Parfenov A. Manifesto. Available at: https://www.facebook.com/photo?fbid=1645886698944377&set=pcb.1645886765611037 (accessed: 06.08.2021). (In Russian).
  18. Rodin N. Author's annotation for the personal exhibition at the Borey Gallery, St. Petersburg, July 31 – August 21, 2021 (In Russian).
  19. Rychkov A. Iskusstvo – vzaimosvyaz' energiy [The Art is the interconnection of energies]. Apollon — Apollo, vol. 1, book 2. St. Petersburg, Apollo Publ., 1995, pp. 395–396. (In Russian).
  20. Rychkov-Galaktionov A.N. Energetizm i evolyutsiya modernizma [Energetism and the evolution of modernism]. Day of Science at the St. Petersburg Humanitarian University of Trade Unions. Materials of the Conference. St. Petersburg, St. Petersburg Humanitarian University of Trade Unions., 1998, pp. 250–252. (In Russian).
  21. Rychkov-Galaktionov A. Vvedeniye v kontseptsiyu “Energetizma” [Introduction to the concept of “Energetism”]. Sbornik dokladov Mezhdunarodnoy konferentsii po myagkim vychisleniyam i izmereniyam [Collection of reports of the International Conference on Soft Computing and Measurements]. Volume 1. St. Petersburg, Gidrometizdat, 2002, pp. 86–88. (In Russian).
  22. Interpretation of the term “one for demand”. Interpretations of Scripture. St. Tikhon Zadonsky. Available at: http://bible.optina.ru/new:lk:10:42 (accessed: 12.08.2021). (In Russian).
  23. Turchin V.S. “Drugoye iskusstvo” pri svete teosofii [“Another Art” in the Light of Theosophy. Simvolizm v avangarde [Symbolism in the Avant-Garde]. Moscow, Nauka Publ., 2003, pp. 400–415. (In Russian).
  24. Turchin V.S. Teosofiya v russkom avangarde [Theosophy in the Russian avant-garde]. Iskusstvo — Art, 2013, No. 2 (585), pp. 48–59. Available at: https://iskusstvo-info.ru/teosofiya-v-russkom-avangarde/ (accessed: 18.11.2021). (In Russian).
  25. Chudinovskaya T.G. Zametki o khudozhestvennom i religioznom soznanii, vyzvannyye k zhizni dvumya vystavkami v Russkom muzeye i tvorchestvom N.S. Goncharovoy [Notes on artistic and religious consciousness, brought to life by two exhibitions in the Russian Museum and the work of N.S. Goncharova]. 2019. Typescript. (In Russian).
  26. Energetism. Novaya filosofskaya entsiklopediya [New Philosophical Encyclopedia]. Electronic Library of the Institute of Philosophy of the Russian Academy of Sciences. Available at: https://iphlib.ru/library/collection/newphilenc/document/HASH0132a756af6b29f947fd8532 (accessed: 05.04.2021). (In Russian).

Most read articles by the same author(s)