Art of the XX–XXI centuries

161 Items

Art criticism articles about the work of contemporary artists, art associations, trends in art are grouped under the heading “Art of the XX–XXI centuries”.

All Items

Dorjsurengiin Uranchimeg, Evgeniy V. Yaylenko
Artworks by Danzabaljir Enkhtaivan and artistic strategies of modern Mongolian art
258-275
https://doi.org/10.46748/ARTEURAS.2025.02.015
Liliya I. Ovchinnikova
Kazimierz Zeleniewski: Swiss years in the context of creativity
286–301
https://doi.org/10.46748/ARTEURAS.2025.01.017
Victoria V. Demenova, Anastasia M. Shishmintseva
The heritage of Tibetan and Buryat Buddhist painting in the oeuvre of contemporary thangka artist Alex Kocharov
268–285
https://doi.org/10.46748/ARTEURAS.2025.01.016
Byambajav Sarantuya, Dorjsurengiin Uranchimeg
The image of Mongolia in modern Russian art of the last third of the 20th – early 21st century
302–325
https://doi.org/10.46748/ARTEURAS.2025.01.018
Chanyuan Zhang
Founder of the Egyptian surrealism: Ramses Younan
326–335
https://doi.org/10.46748/ARTEURAS.2025.01.019
Mikhail Yu. Shishin, Natalya S. Tsareva
Cuban artworks series by Olga Yausheva
284–299
https://doi.org/10.46748/ARTEURAS.2024.04.017
Victoria A. Borunova
Reconstruction of the creative method of G.F. Borunov on the example of paintings “Chairman. Kolkhoz Autumn”, “Red Tractor”, “Ivan Polzunov”
218–241
https://doi.org/10.46748/ARTEURAS.2024.04.014
Anastasia S. Sirenko
N.S. Barsamov and his followers — Crimean artists of the 20th century
266–283
https://doi.org/10.46748/ARTEURAS.2024.04.016
Elena V. Bobrova
Regional exhibition-competition of young Omsk artists: curator's view
200–217
https://doi.org/10.46748/ARTEURAS.2024.04.013
Byambajav Sarantuya, Evgeniy V. Yaylenko
Images of Mongolia in Soviet painting of the second half of the 20th century (based on the collection of the National Gallery of Art, Ulaanbaatar)
242–265
https://doi.org/10.46748/ARTEURAS.2024.04.015
Lyudmila A. Toma
The breath of life in the paintings of Rosa Gamburskaya
226–243
https://doi.org/10.46748/ARTEURAS.2024.03.014
Svetlana M. Gracheva, Ivan B. Zhuravlev
International art plein air “Solar Palette of the East” (2024) in the Naryn region of Kyrgyzstan
194–211
https://doi.org/10.46748/ARTEURAS.2024.03.012
Elena A. Mushnikova
Cuba in the work of artist Vladimir I. Pereyaslavets (1918–2018)
212–225
https://doi.org/10.46748/ARTEURAS.2024.03.013
Sophia M. Belokurova
Mongolian sculptor Tsevegmid Amgalan and the monument dedicated to the victory in the battle on the Khalkhin Gol river
180–193
https://doi.org/10.46748/ARTEURAS.2024.03.011
Meng Yin
Illustrations to Chinese fairy tales in the works of Georgiy, Alexander and Valery Traugot
130–141
https://doi.org/10.46748/ARTEURAS.2024.02.009
Vasilisa V. Sharifullina
Unofficial art of Kostroma in the second half of the 1950s–1970s: features of existence and artistic orientations
204–221
https://doi.org/10.46748/ARTEURAS.2024.02.014
Sergey S. Nazin
The Kasli factory at the first specialized exhibition of artistic iron casting in the USSR in Moscow and its activities in the pre-war period (1940‒1941)
162–175
https://doi.org/10.46748/ARTEURAS.2024.02.011
Jiaqi Liu
The phenomenon of “rustic realism” in the work of the painters of the Southwest China
142–161
https://doi.org/10.46748/ARTEURAS.2024.02.010
Erdenetsogt Bathuleg
From the place of action to the space of meaning: Ch. Gungaasukh’s work and his role in the development of scenography art in Mongolia in the last third of the 20th century
112–129
https://doi.org/10.46748/ARTEURAS.2024.02.008
Dorjsurengiin Uranchimeg, Evgeniy V. Yaylenko
The artistic tradition of Russian Academism in Mongolian contemporary art (a study of the historical paintings by Mongolian artist B. Otgontuvden)
188–203
https://doi.org/10.46748/ARTEURAS.2024.02.013
Olga Vadimovna Nefedova
Iraqi artists-muralists, graduates of the USSR universities: graduation works as a synthesis of national and individual
176–187
https://doi.org/10.46748/ARTEURAS.2024.02.012
Elena O. Romanova
The graphic heritage of Julia Reitlinger (Sister Joanna)
232-253
https://doi.org/10.46748/ARTEURAS.2024.01.017
Xiong Peihan
“Farmer's Hope”: exhibition of Chinese artist Wang Shenglie in Shenyang
254-267
https://doi.org/10.46748/ARTEURAS.2024.01.018
Andrey V. Kovalev
Grigory Likman (1904–1991): Slavgorod series of graphic portraits
218-231
https://doi.org/10.46748/ARTEURAS.2024.01.016
Keren Sheng
Watercolour in the Saint Petersburg academic school for children's book graphics of 1980–1990s: from the funds of the Ilya Repin Institute
262-279
https://doi.org/10.46748/ARTEURAS.2023.04.017