* Not an advertisement
Keywords
contemporary art of Omsk, fine art of Siberia, curator, curatorial exhibition, exhibition of young artists
Categories
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Bobrova, E.V. (2024) ‘Regional exhibition-competition of young Omsk artists: curator’s view’, The Art of Eurasia, (4), pp. 200–217. doi:10.46748/ARTEURAS.2024.04.013.
Индексация статей
Abstract
The author of the article presents an analysis of her experience of curatorial activity, with reference to four regional regular youth exhibitions and competitions (2020–2023). The article identifies trends in the artistic life of Omsk, which served as prerequisites for the establishment of the First Regional Exhibition-Competition of Young Omsk Artists. It also outlines the range of tasks that the competition was designed to solve. The article's focus is on the role of the curator in achieving positive outcomes for the exhibition project, considering the multifaceted nature of their responsibilities. A proposal is made for the creation of a toolkit for the involvement of young artists in the exhibition process and the formation of a unified youth community within the local branches of the Union of Artists of Russia. The specific results of the annual functioning of the competition are described on the basis of the implemented projects, including the discovery of new names that are significant for the art of Siberia.
References
- Bobrova, E.V. (2020) ‘Formation of painting trends in the works of young Omsk artists. From the experience of organizing youth art exhibitions’, in Chirkov, V.F. (ed.) The creation of young artists and art historians in the context of contemporary art and art criticism in Siberia. Late 20th – early 21st centuries [Conference proceedings]. Omsk: Zolotoj tirazh, pp. 57–61. (In Russ.)
- Khoruzhaya, N.V. (2014) ‘Youth exhibitions in conditions of modern culture’, Vestnik Tomskogo gosudarstvennogo universiteta. Kul`turologiya i iskusstvovedenie = Bulletin Tomsk State University. Cultural studies and art history, (2), pp. 100–103. (In Russ.)
- Biryukova, M.V. (2021) ‘On the meaning of curating’, Muzej. Pamyatnik. Nasledie = Museum, monument, heritage, (2), pp. 15–26. (In Russ.)
- Krivo, T.M. (2012) ‘Technology of the students' art-creative potential development of pedagogical university in the process of projects activity (of decorative and applied arts)’, Vestnik Tomskogo gosudarstvennogo pedagogicheskogo universiteta = Tomsk State Pedagogical University Bulletin, (2), pp. 121–124. (In Russ.) (In Russ.)
- Shchetinina, S.Yu. (2016) ‘Visual media in multimedia installation’, Vestnik Kemerovskogo gosudarstvennogo universiteta kultury i iskusstv = Bulletin of the Kemerovo State University of Culture and Arts, (37-1), pp. 188–193. (In Russ.)
- Nekrasova-Karateeva, O.L. (2011) ‘The organization of contests and exhibitions of students' creative works as a method of professional training of pre-service art teachers’, Izvestiya Rossijskogo gosudarstvennogo pedagogicheskogo universiteta A.I. Gercena = Izvestia: Herzen University Journal of Humanities & Sciences, (129), pp. 153–157. (In Russ.)
- Borovinskaya, D.N. (2016) ‘Creative product: base definition’, Vestnik Tyumenskogo gosudarstvennogo instituta kultury = Bulletin of the Tyumen State Institute of Culture, (2), pp. 13–15. (In Russ.)
- Mashanov, A.N. (ed.) (2023) 4th Regional Exhibition-Competition of Young Omsk Artists [Exhibition catalogue]. Omsk: Zolotoj tirazh. (In Russ.)
- Balash, A.N. (2019) ‘Modern art exhibition as interdisciplinary project ‘, Vestnik Sankt-Peterburgskogo Instituta kultury = Bulletin of Saint Petersburg State University of Culture, (2), pp. 16–21. (In Russ.)
- Shulmina E.V. (2021) ‘Role of the curator in the organization of exhibitions’, in Akhmadieva, R.Sh., Terekhov, P.P. and Yavgildina D.M. (eds.) Social and cultural activities: vectors of research and practical prospects [Conference proceedings]. Kazan: Kazan State Institute of Culture, pp. 564–568. (In Russ.)
