Art of the XX–XXI centuries

161 Items

Art criticism articles about the work of contemporary artists, art associations, trends in art are grouped under the heading “Art of the XX–XXI centuries”.

All Items

Victoria I. Krylova
Graphics by Vladimir Meshkov in the collection of the Altai State Art Museum
318–337
https://doi.org/10.46748/ARTEURAS.2026.03.017
Vladimir F. Chirkov
Art of Siberia in the second half of the 20th century: vectors of development
338–371
https://doi.org/10.46748/ARTEURAS.2026.03.018
Mikhail Yu. Shishin
Still life “Flowers on the Table” by L.N. Pastushkova: an experiment in compositional and semantic analysis
372–387
https://doi.org/10.46748/ARTEURAS.2026.03.019
Lev D. Kogan
Yuri Eryshev — artist of Veliky Novgorod: spirituality, landscape, and portrait in light of avant-garde and Renaissance traditions
300–317
https://doi.org/10.46748/ARTEURAS.2026.03.016
Alexander O. Kotlomanov
The Leningrad “school” of lithography: an exhibition of Soviet graphics in London (1961) in the context of time and in historical perspective
216–229
https://doi.org/10.46748/ARTEURAS.2026.02.013
Evgeniya V. Orlova
Mythical geography: On artistic actionism in Germany in the 1960s–1980s
242–259
https://doi.org/10.46748/ARTEURAS.2026.02.015
Elena E. Bataeva, Vadim A. Lyubetsky
On the establishment of the Section of Polygraphic Arts at the Russian Academy of Artistic Sciences: prerequisites, objectives, key figures
200–215
https://doi.org/10.46748/ARTEURAS.2026.02.012
Polina V. Yaroshevich
“We are from the Russian family…”: conceptualising the notion of ‘Russianness’ in the contemporary historical painting of Grigoriy Gukasov
260–285
https://doi.org/10.46748/ARTEURAS.2026.02.016
Yana Yu. Lisitsina
Transformation of artistic activity in the USSR in 1933 (based on materials from Leningrad and Irkutsk)
230–241
https://doi.org/10.46748/ARTEURAS.2026.02.014
Elena Zurabovna Eremova
Classical traditions of the Imperial Porcelain Factory in the works of Tatiana Afanasyeva
258–273
https://doi.org/10.46748/ARTEURAS.2026.01.014
Elena Vasilyevna Kopersak
Exploring the origins of Russian patriotism: chronicles and epics in Sergei Timokhov's graphic art
274–295
https://doi.org/10.46748/ARTEURAS.2026.01.015
Elena Olegovna Romanova
The formation of Evgeny Klimov’s creative method: based on the artist’s personal diaries (1921–1932)
296–313
https://doi.org/10.46748/ARTEURAS.2026.01.016
Jingzhu Xu, Ekaterina Alexandrovna Lavrentieva
Distinctive features of the language of the photo avant-garde: the question of extending the boundaries of this concept
314–327
https://doi.org/10.46748/ARTEURAS.2026.01.017
Galina A. Shaposhnikova-Murashova
Philosophical and art critical analysis of Akseli Gallen-Kallela's painting “Lemminkäinen's Mother”
240–253
https://doi.org/10.46748/ARTEURAS.2025.04.014
Aleksandra S. Kniazeva, Ludmila A. Budrina
Chinese and European jewelry traditions in in Bulgari’s artistic practices: the jade factor
228–239
https://doi.org/10.46748/ARTEURAS.2025.04.013
Daniil A. Avdoshin
The image of the human as a central component of Vasily Chekrygin’s creative and theoretical system
214-231
https://doi.org/10.46748/ARTEURAS.2025.03.012
Kasya Popova
Last name and two letters: about the life and work of the sculptor-decorator David Weinberg
292-305
https://doi.org/10.46748/ARTEURAS.2025.03.016
Natalia M. Goncharenko
From Pushkin to Dostoevsky: graphics of Soviet illustrators of Russian classic literature in the collections of Belgorod museums
240-281
https://doi.org/10.46748/ARTEURAS.2025.03.014
Anton S. Ainutdinov
Sketches of artistic decorations of Ekaterinburg for November 7, 1923, executed by the artist Leonid Eltyshev
232-239
https://doi.org/10.46748/ARTEURAS.2025.03.013
Elena A. Mushnikova
Works by Maria Pereyaslavets dedicated to Cuba
282-291
https://doi.org/10.46748/ARTEURAS.2025.03.015
Alla A. Selyutina
Graphics by Zinaida Serebryakova and Elizaveta Kruglikova in the collection of the Belgorod State Art Museum
306-323
https://doi.org/10.46748/ARTEURAS.2025.03.017
Dorjsurengiin Uranchimeg, Evgeniy V. Yaylenko
Artworks by Danzabaljir Enkhtaivan and artistic strategies of modern Mongolian art
258-275
https://doi.org/10.46748/ARTEURAS.2025.02.015
Marina V. Serbina, Sergey M. Budkeev
Architectural images of Orthodox churches in Pavlodar in the 21st century
218-227
https://doi.org/10.46748/ARTEURAS.2025.02.013
Lyudmila A. Toma
The multifaceted oeuvre of Vladimir Cantor
228-257
https://doi.org/10.46748/ARTEURAS.2025.02.014
Vladimir F. Chirkov
Collecting in Siberia: a historical perspective
276-287
https://doi.org/10.46748/ARTEURAS.2025.02.016