“We are from the Russian family…”: conceptualising the notion of ‘Russianness’ in the contemporary historical painting of Grigoriy Gukasov

Abstract

The article provides an analysis of Grigoriy Gukasov’s oeuvre within the context of contemporary academic painting and the discourse on national self-identification. The study is based on works showcased at the artist’s exhibition, “We are from the Russian family...”, held at the State Russian Museum in 2025, as well as the master’s sketches, studies, and interviews. Employing formal-stylistic and iconographic methods, the research offers an in-depth evaluation of the artist’s creative technique, philosophical framework, and the conceptual substance of his works, moving beyond a mere description of the exhibition material. The author examines Gukasov’s canvases as a medium for conceptualising national identity, exploring how his interpretation of historical subjects and academic technique fosters a dialogue with the viewer regarding the notion of “Russianness” (russkost). The study reveals that Gukasov’s method is rooted in a profound mastery of the classical academic school, enriched by his distinctive impasto brushwork and sophisticated use of light. Rather than imposing value judgements, the artist seeks to provoke reflection on history and national self-identity. The analysis of key works demonstrates how Gukasov expresses his understanding of “Russianness” through historical themes and symbolism. Particular attention is paid to the symbolic resonance of the paintings and their links to Old Russian heritage. This research expands the understanding of contemporary academic art and its potential to explore questions of national identity, suggesting a new way of interpreting by examining the interplay between artistic method, conceptual programme, and their influence on the viewer's sense of self-identification.