Forum

354 Items

The “Forum” heading contains research on a topic previously proposed by the editorial of the journal. The list of topics is posted at the beginning of the calendar year on the journal website.

All Items

Sophia M. Belokurova, Mikhail Yu. Shishin
The Great Patriotic War in contemporary art of Siberia
54-73
https://doi.org/10.46748/ARTEURAS.2025.02.004
Elena O. Romanova
Maria Fedorova's original stage costume in inseparable ties of tradition and modernity
204-217
https://doi.org/10.46748/ARTEURAS.2025.02.012
Elena V. Kopersak
The Great Patriotic War in the fine arts of the Krasnoyarsk region of the twentieth century: transformation of artistic images and pictorial and plastic language
128-155
https://doi.org/10.46748/ARTEURAS.2025.02.008
Alexander V. Fedotov, Yulia S. Manyakina
Theme of the Great Patriotic War in the fine arts of the 1950s–2000s from the collection of the Altai State Art Museum
172-185
https://doi.org/10.46748/ARTEURAS.2025.02.010
Yixin Zhang, Anna V. Chernova
Lianhuanhua “Journey to the West”: landmark works in the history of Chinese graphic novels
196–209
https://doi.org/10.46748/ARTEURAS.2025.01.012
Elizaveta O. Kuzina
The archetype of the motherland in contemporary Indian art
120–135
https://doi.org/10.46748/ARTEURAS.2025.01.008
Tatyana L. Astrakhantseva
Mythological line in modern sculpture
56–69
https://doi.org/10.46748/ARTEURAS.2025.01.004
Vladimir F. Chirkov, Olga M. Galygina
Mythological content of works of “Siberian neoarchaic”: on the study of this the artistic direction
210–239
https://doi.org/10.46748/ARTEURAS.2025.01.013
Nadezhda V. Sukhorukova
Female archetypes in the works of Galina Wiesel
160–177
https://doi.org/10.46748/ARTEURAS.2025.01.010
Aitalina A. Borisova
The artistic space in the graphic works of the Yukaghir artist N.N. Kurilov
70–83
https://doi.org/10.46748/ARTEURAS.2025.01.005
Daria P. Chuprikova
Receptions of antiquity in the works of modern Saint Petersburg sculptors
240–251
https://doi.org/10.46748/ARTEURAS.2025.01.014
Victor G. Arslanov
Ancient and modern mythology in art and art theory
46–55
https://doi.org/10.46748/ARTEURAS.2025.01.003
Nadezda A. Tabunova
From antiquity to modernity: a neomythological perspective in contemporary art
178–195
https://doi.org/10.46748/ARTEURAS.2025.01.011
Igor V. Glazov
New mythical imagination: the revival archetypes in the work of D.D. Kaminker
108–119
https://doi.org/10.46748/ARTEURAS.2025.01.007
Ekaterina V. Lebedeva
The image of the world in Altai graphics: ethnoarchaism in contemporary art
136–159
https://doi.org/10.46748/ARTEURAS.2025.01.009
Tatiana A. Boronoeva
Boundaries of human consciousness in the myth-making of Zorikto Dorzhiev
84–107
https://doi.org/10.46748/ARTEURAS.2025.01.006
Olga A. Yushkova
Biblical subjects in the works of Lev Tabenkin
252–267
https://doi.org/10.46748/ARTEURAS.2025.01.015
Natalia V. Muratova
Portraits by N.Y. Tretyakov in the 1950s – 1980s from the graphic collection of the Omsk Regional Museum of Fine Arts named after M.A. Vrubel
152–167
https://doi.org/10.46748/ARTEURAS.2024.04.010
Sergey S. Dukhanov, Svetlana V. Izotenko
Fundamentals of Architecture in Omsk Khudprom: study of works on the organisation of space
106–121
https://doi.org/10.46748/ARTEURAS.2024.04.007
Mikhail V. Ermola
From thirty porcelain shards: the history of attribution of a vase from the collection of the Omsk Regional Museum of Fine Arts named after M. A. Vrubel
122–137
https://doi.org/10.46748/ARTEURAS.2024.04.008
Vladimir F. Chirkov
“Farewell of Slavianka” by N.M. Bryukhanov: on the history of the creation, existence, and study of the painting
182–199
https://doi.org/10.46748/ARTEURAS.2024.04.012
Victoria P. Efimenko, Ekaterina V. Gordeeva, Vitaly V. Semikin, Irina V. Konova, Ekaterina R. Chernova
The attribution of paintings by K.A. Korovin as an example of museums research cooperation
138–151
https://doi.org/10.46748/ARTEURAS.2024.04.009
Lyudmila K. Bogomolova
The beginning of the creative path of Omsk futurist Viktor Ufimtsev: on the problem of studying early works from Omsk collections
46–65
https://doi.org/10.46748/ARTEURAS.2024.04.003
Elena M. Reutova
On the experience of attribution of Western European paintings of the 18th and 19th centuries from the Omsk Regional Museum of Fine Arts named after M.A. Vrubel
168–181
https://doi.org/10.46748/ARTEURAS.2024.04.011
Igor A. Glazov
Mantel clock from the collection of the Omsk Regional Museum of Fine Arts named after M.A. Vrubel: problems of study and attribution
76–91
https://doi.org/10.46748/ARTEURAS.2024.04.005