Maria Fedorova's original stage costume in inseparable ties of tradition and modernity
Выпуск № 2 (37) 2025 журнала "Искусство Евразии"
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Keywords

Maria Fedorova, costume artist, fashion designer, author's stage costume, folk costume, tradition, Russian folk art, Silver Age, Russian avant-garde, artistic image, graphic art

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How to Cite

Romanova, E.O. (2025) ‘Maria Fedorova’s original stage costume in inseparable ties of tradition and modernity’, The Art of Eurasia, (2), pp. 204–217. doi:10.46748/ARTEURAS.2025.02.012.

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Abstract

The article presents an overview of the work of Maria Fedorova, a renowned master of stage costume, and this is the first instance of a scientific art study on her creativity. For over four decades, she has been creating costumes for leading Russian artistic groups such as the State Dance Ensemble of Russia, the Russian Song Ensemble, and the Russian State Academic Concert Orchestra “Boyan”. Fedorova's work is heavily influenced by the art of the Silver Age and the Russian avant-garde, while also incorporating elements of Russian folk tradition. This fusion of diverse influences has allowed her to develop a unique and distinctive style in stage costume. The study delves into current topics in art history and cultural studies, including the modern usage of Russian folklore traditions, contemporary interpretations of folk costume, and methods of embodying artistic image within it. Fedorova's creativity enriches the folklore heritage with poetic imagination, graceful musicality, and elements of fine art and high fashion. Although she began her career as a fashion designer, Fedorova now successfully balances her work as a costume designer with graphic art. Her creations can be found in the collections of the State Tretyakov Gallery, other Russian art museums, and both private and museum collections abroad.

DOI: https://doi.org/10.46748/ARTEURAS.2025.02.012

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