On the transformation of the Kalmyk costume in the second half of the 20th century – the beginning of the 21st century: УДК 745/749(470.47)
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Keywords

kalmyk folk costume, national identity, art of Kalmykia, ornament zeg, ethnic style

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How to Cite

Sangadzhieva, D.V. (2021) ‘On the transformation of the Kalmyk costume in the second half of the 20th century – the beginning of the 21st century: УДК 745/749(470.47)’, The Art of Eurasia, (4), pp. 10–25. doi:10.46748/ARTEURAS.2021.04.001.

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Abstract

The research is devoted to the study of the specifics of the existence of the Kalmyk costume in the second half of the 20th century – the beginning of the 21st century in Kalmykia, comparing the elements of cut and methods of decoration in traditional samples of folk costume with the design and decor in scenic national costumes and in the artistic stylization of author's clothing models in ethnic style. The material for the study was the costumes from the collections and archives of Russian museums and private collections. The object of the study is the Kalmyk costume, its aesthetic and semantic dominant, as a marker of national identity and a repeater of traditional values. The aim of the study is to identify transformational processes in the existence of the Kalmyk folk costume in the second half of the 20th century – the beginning of the 21st century, as well as for the first time recorded changes in technological features in the creation of decor and examples of the introduction of foreign cultural elements into the structure of everyday and scenic folk costume, which carry with them a modification of the meanings and functionality of elements of the national costume. The author fixes the process of substitution of traditional crafts in the manufacture of elements of folk costume, in the context of the development of scientific and technological progress, using modern technologies for creating clothing decor, in the author's collections of ethnic fashion in Kalmykia. The article introduces into scientific circulation data on folk masters, artists, designers working in the field of folk costume, recorded samples of national clothing created by them and its variations.

DOI: https://doi.org/10.46748/ARTEURAS.2021.04.001

Acknowledgments

The article was prepared with the support of the All-Russian Public Organization “Association of Art Critics” as part of the scholarship program for 2021.

References

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