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Abstract
The article discusses the reformation of the Organizing Bureau of the Ural Union of Soviet Artists into the Sverdlovsk Union of Soviet Artists. The historical-genetic method made it possible to describe the change in its organizational structure and staffing. Also, the author, relying on a systematic method, demonstrated the dependence of the internal events of the Union on socio-political and cultural events and processes in the USSR in 1934–1935, the most significant of which was the murder of S.M. Kirov and the “Kremlin Affair”. Using the biographical method, the article also gives a brief description of the life of Nikolai Alexandrovich Vinitsky, the second chairman of the creative organization of artists in Sverdlovsk. All archival sources used to conduct this study on the history of the art of the Urals are introduced into scientific circulation for the first time.
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