Forum

354 Items

The “Forum” heading contains research on a topic previously proposed by the editorial of the journal. The list of topics is posted at the beginning of the calendar year on the journal website.

All Items

Natalia V. Muratova
Portraits by N.Y. Tretyakov in the 1950s – 1980s from the graphic collection of the Omsk Regional Museum of Fine Arts named after M.A. Vrubel
152–167
https://doi.org/10.46748/ARTEURAS.2024.04.010
Sergey S. Dukhanov, Svetlana V. Izotenko
Fundamentals of Architecture in Omsk Khudprom: study of works on the organisation of space
106–121
https://doi.org/10.46748/ARTEURAS.2024.04.007
Liudmila I. Missonova
The Anthropology of art: the mysteries of the artifacts of the Sakhalin and the Kuril Islands cultures
96–119
https://doi.org/10.46748/ARTEURAS.2024.03.006
Maria Yu. Gorbunova
Painting and graphics in the collections of the Literary and Art Museum of Anton Chekhov's the Sakhalin Island Book
34–57
https://doi.org/10.46748/ARTEURAS.2024.03.003
Elena A. Ikonnikova
Sakhalin artist Givi Mantkava in the space of literature
80–95
https://doi.org/10.46748/ARTEURAS.2024.03.005
Alexander A. Vasilevski
Mythological plot of the creation of the world on ancient ceramics from Iturup Island
24–33
https://doi.org/10.46748/ARTEURAS.2024.03.002
Anastasia A. Stepanenko, Olga V. Kuzmina
Atrworks by Yakov Weber in the collection of the Literary and Art Museum of Anton Chekhov's the Sakhalin Island Book
134–141
https://doi.org/10.46748/ARTEURAS.2024.03.008
Yulia I. Din
Fine arts of the Sakhalin Koreans in a cultural and historical context
58–79
https://doi.org/10.46748/ARTEURAS.2024.03.004
Alvina P. Suleimanova, Nina S. Zavadskaya
Sakhalin avant-garde of the 21st century
142–165
https://doi.org/10.46748/ARTEURAS.2024.03.009
Margarita G. Shamanova
Figurative and stylistic analysis of Givi Mantkava's work “The Nivkhi Archers” (1974) from the collection of the Sakhalin Regional Art Museum
166–179
https://doi.org/10.46748/ARTEURAS.2024.03.010
Elena S. Nitkuk
“Fish Island in the Far Sea”: an exhibition of works by artists and craftsmen of the indigenous peoples of Sakhalin
120–133
https://doi.org/10.46748/ARTEURAS.2024.03.007
Olga E. Etinhof
Mosaics of the Basilica of the Nativity in Bethlehem and Crusader monumental painting in the Holy Land in the 12th century
96–111
https://doi.org/10.46748/ARTEURAS.2024.02.007
Marina A. Neglinskaya
Evolution of the still life in Chinese ink painting (the first half of the 20th century)
72–81
https://doi.org/10.46748/ARTEURAS.2024.02.005
Elena V. Matveeva
Stylistic and iconographic features and evolution of the Luccan school of painting through the example of painted crosses made by the Berlinghieri's workshop
36–53
https://doi.org/10.46748/ARTEURAS.2024.02.002
Evgenia V. Orlova
“Zeitgeist” of the 1980s – early 2000s: French-German artistic theory and practice
82–95
https://doi.org/10.46748/ARTEURAS.2024.02.006
Praskovya I. Morozova
Regional features in unique French Gothic monuments of the 16–17th centuries
62–71
https://doi.org/10.46748/ARTEURAS.2024.02.004
Anna A. Melnikova
Iconography of the miniatures of the Hyena Chapter in the 13th–14th century bestiaries of the abbeys of the Diocese of Passau
54–61
https://doi.org/10.46748/ARTEURAS.2024.02.003
Anastasia Yu. Koroleva
Berlin of the Weimar Republic and the painting of the New Objectivity
20–35
https://doi.org/10.46748/ARTEURAS.2024.02.001
Alana A. Gogichaeva
New pages in the creative biography of Vladimir Kazantsev: Ekaterinburg – Saint Petersburg – Poltava
134-145
https://doi.org/10.46748/ARTEURAS.2024.01.010
Maria A. Serova
Kasli and Kusa artistic iron castings in the collection of the Tula Museum of Fine Arts
174-187
https://doi.org/10.46748/ARTEURAS.2024.01.013
Natalya V. Borovkova, Zlata V. Sukhareva
A.K. Denisov-Uralsky as a jeweller and designer (a case of jewellery reconstruction based on the materials of the Mining Museum)
84-95
https://doi.org/10.46748/ARTEURAS.2024.01.006
Igor Yu. Zlizin
Artworks of Russian sculptor Vladimir M. Pashchenko (1854–1908) in the Ural artistic cast iron of the late 19th – early 20th centuries
146-159
https://doi.org/10.46748/ARTEURAS.2024.01.011
Zamira A. Malayeva
On the question of how to form a model range of “cabinet casting” at the Kasli factory in the second half of the 19th – early 20th centuries
160-173
https://doi.org/10.46748/ARTEURAS.2024.01.012
Ludmila A. Budrina
European iconography of Ural’s relief icons
96-111
https://doi.org/10.46748/ARTEURAS.2024.01.007
Sergey E. Vinokurov
Eastern bestiary of Ural artistic cast iron of the early 20th century
112-123
https://doi.org/10.46748/ARTEURAS.2024.01.008