Forum

354 Items

The “Forum” heading contains research on a topic previously proposed by the editorial of the journal. The list of topics is posted at the beginning of the calendar year on the journal website.

All Items

Marina A. Sorokina
Contemporary Russian lace
272–287
https://doi.org/10.46748/ARTEURAS.2026.03.014
Natalia I. Kovaleva, Marina A. Sorokina, Marina A. Mishina
A doll in a traditional costume: history and modernity
162–181
https://doi.org/10.46748/ARTEURAS.2026.03.008
Andrey V. Troschinskiy
Images of folk paintings in theatrical sketches by students of the Imperial Stroganov School of 1910s
288–299
https://doi.org/10.46748/ARTEURAS.2026.03.015
Irina A. Kolobkova
The Yamburg (Stremlensky) pottery craft
182–205
https://doi.org/10.46748/ARTEURAS.2026.03.009
Yury A. Zakunov
Spiritual and philosophical foundations of Russian traditional handicrafts and the problems of cultural inheritance
82–101
https://doi.org/10.46748/ARTEURAS.2026.03.004
Natalia E. Konovalova
Hand-painted porcelain from provincial factories of Russia of the 1950s–1980s: the search for folk origins and Russian traditions
206–227
https://doi.org/10.46748/ARTEURAS.2026.03.010
Tatyana V. Vildanova
On the experience of understanding Russian folk art as a spiritual phenomenon in domestic humanitarian studies
70–81
https://doi.org/10.46748/ARTEURAS.2026.03.003
Yuliya V. Kravtsova
The phenomenon of ornamentalism in the work of M.M. Nosov as a transition stage from folklore canon to professional art of Yakutia
228–243
https://doi.org/10.46748/ARTEURAS.2026.03.011
Fatima Yu. Kanokova, Aminat A. Kabardova
In the river of time: a conceptual rethinking of the Adyghe women’s costume in the work of Madina Saral’p
102–123
https://doi.org/10.46748/ARTEURAS.2026.03.005
Olesya S. Radko
The contemporary art of Kubachi
244–259
https://doi.org/10.46748/ARTEURAS.2026.03.012
Natalia I. Kovaleva
The folk craft “Krestetskaya stitch”: preserving traditions
124–139
https://doi.org/10.46748/ARTEURAS.2026.03.006
Tatiana A. Sivova
The evolution of the Gzhel craft in the work of leading artists: from classical traditions to modernity
260–271
https://doi.org/10.46748/ARTEURAS.2026.03.013
Natalia I. Kovaleva, Marina A. Sorokina
The exhibition project “Russian Tradition”: a new stage in the study of the artistic and spiritual traditions of the Russian people
140–161
https://doi.org/10.46748/ARTEURAS.2026.03.007
Irina G. Malkova, Olga V. Lysenko
Mountains and trees in the “Album of Taiga’s Drawings” from the collection of the Sakhalin Art Museum
158–173
https://doi.org/10.46748/ARTEURAS.2026.02.009
Xian Wang, Maria V. Voronova
Restoration of architectural buildings in the Huizhou area: the practice of restoring the Shu Guoan House
104–123
https://doi.org/10.46748/ARTEURAS.2026.02.006
Ekaterina A. Vostrikova
Ideology and creativity: The artistic trajectory of Chŏng Yŏngman within the DPRK visual culture in the second half of the 20th century
124–143
https://doi.org/10.46748/ARTEURAS.2026.02.007
Yusin Li, Dorjsurengiin Uranchimeg
Decorative and applied art of the Tang Empire (on the example of metallic tableware): techniques of manufacturing, style, ornamental decoration
144–157
https://doi.org/10.46748/ARTEURAS.2026.02.008
Xudong Bai
Feitian as an element of the upper register in Mogao Caves 220 and 103: On the visual order of Tang cave ensembles
84–91
https://doi.org/10.46748/ARTEURAS.2026.02.004
Jia Hou, Dorjsurengiin Uranchimeg
The calligraphic art of Chu Suiliang: issues of genesis and features of artistic style
174–187
https://doi.org/10.46748/ARTEURAS.2026.02.010
Sarangerel Tsolmon
Buddhist sculptures in the Tan Yao Five Caves: iconographic typology and artistic significance
188–199
https://doi.org/10.46748/ARTEURAS.2026.02.011
Daichingiyn Borgel, Dorjsurengiin Uranchimeg
Monastery of Amarbayasghalant: Principles of architectural-spatial organization and stylistic features
92–103
https://doi.org/10.46748/ARTEURAS.2026.02.005
Ksenia G. Badanina
Interpretation of Japanese tradition in the contemporary art practices of Tatiana Badanina and Vladimir Nasedkin
68–83
https://doi.org/10.46748/ARTEURAS.2026.02.003
Andrey Nikolaevich Merezhnikov
“Ghosts of Hellas”: reception of ancient polychromy in the program cycle by V.D. Polenov
142–161
https://doi.org/10.46748/ARTEURAS.2026.01.008
Anna Andreevna Savchenkova
Embriachi workshop as a historical construct
162–179
https://doi.org/10.46748/ARTEURAS.2026.01.009
Ivan Nikolaevich Suloev
The development of Kostroma icon painting from the first third of the 17th century to 1682
180–191
https://doi.org/10.46748/ARTEURAS.2026.01.010